Oxford University Press

This is Chilcott's first setting of the Evening Service, written for the Choir of Downing College, Cambridge. The Magnificat is a powerful setting of the Canticle of Mary, with homophonic textures and...

This elegant setting of the Magnificat a homage to and in the style of composer Sir Charles Villiers Stanford, whose own Magnificat and Nunc Dimittis settings are staples of the English church reperto...

This meaningful text by David Warner is accompanied by beautiful leaps and subsequent suspensions in the memorable melody, which is supported by rich textures in the organ and orchestra. Appropriate t...

This congregational mass setting is short and accessible, with a congregational part that may be intuitively learnt. The congregational part, which may be photocopied, is available at the back of the...

John Rutter's setting of this well-known medieval Pentecost poem is characterized by metrical fluidity, imaginative harmonic language, contrasting homophonic and imitative passages, and a supportive o...

Palestrina's Agnus Dei II from Missa Brevis is presented here in a special arrangement by Becky McGlade. McGlade places the cello at the heart of the music, using it as a direct substitution for the s...

This bright, up-tempo arrangement combines a funky piano part with walking pizzicato bass, a strong tune, scat vocal lines, and swing-band style vocal harmonies to make an exhilarating show-stopper.

This mass setting, with texts in both Latin and English (Book of Common Prayer), is typical of the composer's style: musically sophisticated, with motivic solo lines and a great deal of chromaticism a...

A splendid curtain-raiser to Vivaldi's Gloria, Durante's artful Magnificat has long been misattributed to his pupil Pergolesi. Durante's vocally richer five-voice version has been chosen for Sacred Ch...

This is the third in a trilogy of organ works inspired by the metaphysical poet, George Herbert. This piece and the first of the three, Sounding heaven and earth, draw their titles from George Herbert...

This is a beautiful transcription of the G-minor Siciliano from the Sonata for Flute and Continuo in Eb major (BWV 1031), with the left-hand part is Bach’s continuo righthand line placed in the left-h...

A simple, delightful setting of a Yeats poem which embraces nature's beauty and the secret joy of solitude. Suitable for concert use.

Like the original version for SATB voices, this upper-voice arrangement of Wide Open Spaces reflects on the journeys and adventures to be found in the wide opens spaces within ourselves and in the wor...

This exquisite setting for SSA unaccompanied voices of a well-known Marian motet (in Latin) was the first of Rebecca Clarke's choral works ever to be published.

We are was commissioned by the King's Singers for their 50th anniversary celebrations and is a dynamic setting of Maya Angelou's poem 'The human family'.

This innovative and imaginative choral arrangement of The Lark Ascending has the original solo violin part accompanied by mixed choir. It sensitively sets George Meredith's poem (on which the original...

Gounod's well-known melody over Bach's first prelude needs no introduction. Popularly sung with the text 'Ave Maria', this beautiful arrangement allows the violin an opportunity to shine. Originally p...

The syncopated Toccatina is influenced by pop music as well as the music of South America, while the use of repeated notes is derived from Jan Pieterszoon Sweelinck. The piece will be effective on any...

This exciting work packs a huge amount of musical variety into its compact frame, despite being written with the needs of developing organists in mind. A fanfare-like section in 3-time twice gives way...

I saw three ships is a lively setting of the traditional English text. A simple melody, swapped between the outer voices and answered by altos and tenors, gradually builds to a forte last verse comple...

Holy Roller is a revival sermon captured in the sounds of the alto saxophone and piano. It is inspired by classical revival preaching and the music seeks to represent the language: cajoling and incant...

This tender Advent carol sets an original text by Charles Bennett that creates a sense of anticipation for the arrival of Jesus. Underpinned by a gently rippling piano part throughout, the piece opens...

With plenty of excitement and anticipation, this exuberant carol sets a medieval macronic text, featuring changing metres and a driving piano part. Also available in a version for solo low voice.

This is a spirited arrangement of the popular fourteenth-century carol, with an optional part for tambourine in the final verse. An English singing translation is presented alongside the original Lati...