Oxford University Press

Full score for the brass accompaniment to John Rutter's popular setting of the Te Deum: a hymn of praise that is appropriate for choral concerts, as well as for use in sacred settings. The music is ju...

A splendid curtain-raiser to Vivaldi's Gloria, Durante's artful Magnificat has long been misattributed to his pupil Pergolesi. Durante's vocally richer five-voice version has been chosen for Sacred Ch...

A piano transcription, made by the composer himself, of Rutter's much-loved setting of this ancient Irish hymn. Suitable for pianists at early intermediate level, and clearly presented and laid out, t...

This is the third in a trilogy of organ works inspired by the metaphysical poet, George Herbert. This piece and the first of the three, Sounding heaven and earth, draw their titles from George Herbert...

A simple, delightful setting of a Yeats poem which embraces nature's beauty and the secret joy of solitude. Suitable for concert use.

Like the original version for SATB voices, this upper-voice arrangement of Wide Open Spaces reflects on the journeys and adventures to be found in the wide opens spaces within ourselves and in the wor...

This exquisite setting for SSA unaccompanied voices of a well-known Marian motet (in Latin) was the first of Rebecca Clarke's choral works ever to be published.

We are was commissioned by the King's Singers for their 50th anniversary celebrations and is a dynamic setting of Maya Angelou's poem 'The human family'.

Well known as an orchestral piece, Fauré's 'Pavane' is here presented with the choir parts the composer himself provided. The vocal score was first published in 1891, the charmingly slight and musical...

This innovative and imaginative choral arrangement of The Lark Ascending has the original solo violin part accompanied by mixed choir. It sensitively sets George Meredith's poem (on which the original...

Gounod's well-known melody over Bach's first prelude needs no introduction. Popularly sung with the text 'Ave Maria', this beautiful arrangement allows the violin an opportunity to shine. Originally p...

The syncopated Toccatina is influenced by pop music as well as the music of South America, while the use of repeated notes is derived from Jan Pieterszoon Sweelinck. The piece will be effective on any...

This exciting work packs a huge amount of musical variety into its compact frame, despite being written with the needs of developing organists in mind. A fanfare-like section in 3-time twice gives way...

Die eindringliche Melodie der Strophen und der nachdenkliche Refrain des "Ave Maria" haben dieses Lied zu einem äußerst beliebten Lied gemacht. Es ist auch in einer Version für SATB erhältlich.

I saw three ships is a lively setting of the traditional English text. A simple melody, swapped between the outer voices and answered by altos and tenors, gradually builds to a forte last verse comple...

Holy Roller is a revival sermon captured in the sounds of the alto saxophone and piano. It is inspired by classical revival preaching and the music seeks to represent the language: cajoling and incant...

This tender Advent carol sets an original text by Charles Bennett that creates a sense of anticipation for the arrival of Jesus. Underpinned by a gently rippling piano part throughout, the piece opens...

With plenty of excitement and anticipation, this exuberant carol sets a medieval macronic text, featuring changing metres and a driving piano part. Also available in a version for solo low voice.

This is a spirited arrangement of the popular fourteenth-century carol, with an optional part for tambourine in the final verse. An English singing translation is presented alongside the original Lati...

This hauntingly beautiful piece, arranged for flute and piano by the composer, is extracted from Rutter's large-scale work Visions. The expressive solo line features long phrases and a quasi-improvise...

A capricious, lyrical, and nostalgic work, it is often considered to be Vaughan Williams's most successful work in this form. The first movement is pastoral in feeling. The second movement begins with...

Arranged here for solo violin, this pair of short menuets begins cheerfully with arched phrases before moving on to a more sombre dance in the tonic minor. Bach's music for solo string instruments is...

In this arrangement by Kathy and David Blackwell, the original Aria melody is played by the violin in sections A and C, while sections B and D form a kind of decorated repeat, with the melody swapped...