Oxford University Press

For SATB and piano or orchestra or brass ensemble (4tpt, 3tbn, tuba, perc, organ) or ensemble (2fl, perc, pno/org, db). This carol is also available in Carols for Choirs 3, and 100 Carols for Choirs....

These short contemplative pieces are based on plainsong themes, and make ideal pre- or post-service material.

For solo organ

This work is a substantial addition to the repertoire, and is made up of three strongly contrasted movements.

A powerful set of four variations on an original hymn-tune, which is included, with complete text, in a form suitable for congregational use.

For solo organ. This free fantasia is organised around two principal themes: a fanfare-like motif derived anagramatically from the letters SAINT LOUIS ROI, and the familiar Mode VI alleluia. By turns...

For string orchestra. The work presents two contrasting moods in alternation. It begins with brooding, lyical music that gradually picks up strength and intensity, bursting out into a fast tempo with...

The two-volume Oxford Handbook of Music Performance provides a resource that musicians, scholars and educators will use as the most important and authoritative overview of work within the areas of mus...

Male-centered theology, a dearth of men in the pews, and an overrepresentation of queer males in music ministry: these elements coexist within the spaces of historically black Protestant churches, cre...

Male-centered theology, a dearth of men in the pews, and an overrepresentation of queer males in music ministry: these elements coexist within the spaces of historically black Protestant churches, cre...

The Logic of Filtering traces the profound impact of technical media on the sound of music, asking: how do media technologies shape sound? How does this affect music? And how did it change what we lis...

The Logic of Filtering traces the profound impact of technical media on the sound of music, asking: how do media technologies shape sound? How does this affect music? And how did it change what we lis...

In Roma Music and Emotion, author Filippo Bonini Baraldi forges a much-needed theory of music, emotion, and empathy from an anthropological perspective, addressing the failure of the prevailing psycho...

In Roma Music and Emotion, author Filippo Bonini Baraldi forges a much-needed theory of music, emotion, and empathy from an anthropological perspective, addressing the failure of the prevailing psycho...

Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms o...

Nothing but Noise: Timbre and Musical Meaning at the Edge explores how timbre shapes musical affect and meaning. Integrating perspectives from musicology with the cognitive sciences, author Zachary Wa...

Despite its importance as a central feature of musical sounds, timbre has rarely stood in the limelight. First defined in the eighteenth century, denigrated during the nineteenth, the concept of timbr...

The Oxford Handbook of Music and Advertising is an essential guide to the crucial role that music plays in relation to the audio or audiovisual advertising message, from the perspectives of its creati...

Turn On, Tune In, Drift Off: Ambient Music's Psychedelic Past rethinks the history and socioaesthetics of ambient music as a popular genre with roots in the psychedelic countercultures of the late twe...

The Oxford Handbook of Cinematic Listening explores the place of cinema in the history of listening. It looks at the ways in which listening to film is situated in textual, spatial, and social practic...