Oxford University Press

Oliver Tarney has re-worked his popular unaccompanied minature The Waiting Sky for upper voices. While it would make a beautiful addition to a concert programme at other times of the year, the setting...

Sing, my Child sets a joyful text celebrating the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line, the buoyant 7/8 metre of the opening driv...

This heartfelt setting of words by the composer begins with a pianissimo drone over which the sopranos introduce the expressive melody. With lush harmonies, moments of dynamic intensity, and an overri...

Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs, the captivating melody and warm harmonies perfectly complement the uplifting them...

Oliver Tarney has re-worked his popular unaccompanied minature The Waiting Sky for upper voices. While it would make a beautiful addition to a concert programme at other times of the year, the setting...

This piece was composed in honour of the centenary of Marconi's first trans-oceanic wireless signal. The theme of the work, sound waves, is evoked through overlapping phrases sung ad lib., and the mus...

Gallant's take on this Acadian folksong is lively and engaging, featuring the quintessential elements of the tradition: podorythmie (seated foot-tapping), diddlage (mouth music), and the spoons. With...

Gallant's take on this Acadian folksong is lively and engaging, featuring the quintessential elements of the tradition: podorythmie (seated foot-tapping), diddlage (mouth music), and the spoons.

This imaginative setting of Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. In a fresh, a cappella style, Hawley's charismatic melodies so...

'TaReKiTa' is a refreshing concert piece that effortlessly blends the Indian and Western classical styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating mel...

Palestrina's setting of the Marian motet Alma Redemptoris Mater seamlessly interweaves each of the four independent voices based on the solemn tone of the corresponding chant. Offprinted from The Oxfo...

Consisting of two sections, this large-scale Christmas motet opens with a rich homophonic texture that is synonymous with Victoria's compositions. This is followed by imitation in the vocal lines befo...

This Marian text for Eastertide, Regina caeli, was set four times by Morales. This setting for four voices was first published in the Spanish composer's 1543 collection and notated in high clefs. The...

Recent scholarship postulates that this anonymous motet for the Feast of the Assumption of the Blessed Virgin Mary was in fact written by Leonora d'Este, daughter of Duke Alfonso I and Lucrezia Borgia...

The opening of this motet displays Massaino's skill in the art of word-painting with soaring lines that play on the word 'arise' (Surge). Punctuated with occasional homophonic writing, the beautiful m...

Setting inspiring words by James Weldon Johnson, this work is both poignant and stirring, encouraging singers and listeners to reflect on the challenges of present times and to move forward with coura...

Heart of Earth enthält Auszüge aus Gedichten von Laura Purdie Salas, die reich an lebendigen Beschreibungen der natürlichen Welt sind. Rajasekar fühlte sich von diesen Texten angezogen, weil sie einen...

Marie-Claire Saindons Keeping Time for Joy spiegelt die Freude im Text der zeitgenössischen Schriftstellerin Sarah Windle in diesem erbaulichen Stück wider. Volkstümliche skalierte Melodien, die durch...

Dieses dreisätzige Werk, das den "Schwestern überall" gewidmet ist, kombiniert eine Reihe von Themen mit der Poesie von Sara Teasdale. Der erste Satz, "Sister of the Sky" (Schwester des Himmels), konz...

For SSAA unaccompanied - The piece begins as a round on a traditional tune and develops into an original setting of contemporary words by Sheila Dunlop. It ends with a frenetic climax.

For unaccompanied upper voices. A three-part (briefly four-part) setting of a medieval text prayer to Corpus Christi and suitable as a communion anthem at other times. The anthem starts with the tradi...

For SSAA unaccompanied

This imaginative setting of Henry Wadsworth Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. In a fresh, a cappella style, Hawley's charism...

'TaReKiTa' is a refreshing concert piece that effortlessly blends the Indian and Western classical styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating mel...

Clemens composed two settings of the Marian text Ego flos campi, one scored for mixed choir of seven voices and this other, more intimate, setting for three voices. Here the voices weave beautiful cou...