Oxford University Press

In Acoustic Profiles, author Randolph Jordan proposes a new model for image-sound analysis that incorporates the vocabulary and methods of environmental studies, specifically exploring the potential o...

In Acoustic Profiles, author Randolph Jordan proposes a new model for image-sound analysis that incorporates the vocabulary and methods of environmental studies, specifically exploring the potential o...

This work is a substantial addition to the repertoire, and is made up of three strongly contrasted movements.

An excellent method with new thoughts on early piano education.

BBC Songs of Praise is a compilation of the greatest traditional hymns, the best hymns from today's writers, and the finest examples of contemporary worship songs. It offers to churches and schools th...

The new official hymn book of the Church of Ireland. 1376 pages.

BBC Songs of Praise is a compilation of the greatest traditional hymns, the best hymns from today's writers, and the finest examples of contemporary worship songs. It offers to churches and schools th...

This book of poetry, written by a well-known US hymn writer, includes hymn texts, anthems, and poems for numerous occasions throughout the liturgical year. Organized by theme, this book includes pract...

The Oxford Reading Tree Song Book and CD presents Biff, Chip, and all the favourite Reading Tree characters in 48 catchy songs and activities based on the stories from Stages 1, 2, and 3. No musical k...

Set comprising 2 copies.

This energetic sacred anthem sets a verse from John Milton's 1629 ode 'On the Morning of Christ's Nativity' and is suitable as a celebratory anthem year-round. McDowall has mirrored the imagery of the...

In this joyous and colourful piano concerto, John Rutter both reflects, and reflects upon, the many soundworlds and styles that have inspired him. There are echoes of Ravel, Gershwin, Satie, Ibert, an...

The William Walton Edition is a collected edition of the works of one of England's finest and best-loved composers. Each work is newly edited and engraved, and checked against the composer's manuscrip...

Slip-stream was composed for Ensemble Bash. The vibraphone is the protagonist, opening the work with a melodic idea which serves as a refrain. Elsewhere, the glockenspiel and vibraphone are held toget...

For percussion quartet. This piece, for pitched percussion, does not reflect Fauvism in an obvious way, but is more of an exploration within a restricted number of musical 'colours'. Contrasts of dyna...

Same as We is a 'scena', a 'theatrical monologue', rather than a 'song'. Using text from Alfred Lord Tennyson's The Promise of May, it is intended that the piece be both dramatic and, albeit in a gene...

The text is drawn from the various editions of Whitmans's 'Leaves of grass' (1855-97), and interspersed with excerpts from 'Specimen Days'. Together they form an autobiography, in which both singer an...

Voice & piano/guitar This volume contains newly edited versions of all Walton's songs for voice and piano, together with Anon in Love for voice and guitar and songs from radio plays. It also includes...

Barry wrote this as a tribute to his teacher, the legendary composer Stockhausen who died in December 2007. Using text from a letter written by Beethoven in 1821, the sentiment and simplicity of the s...

This attractive carol has a tuneful melody with a slight modal feel. Opening with melody alone, sung solo or in unison, the carol builds up harmonically, moving from octave thirds to the rich, occasio...

Solo voice and piano A collection of short, accessible American pieces. There is great contrast of style: some lyrical and slow and others comical and lively. With these 17 pieces, soloists will never...

For voice and piano - The arranger, Warren Michel Swenson, writes, 'These versions are not intended to be 'improvements' on the originals. Stephen Foster needs no one's help. They are simply possibili...

For solo voice and piano - Cipullo's settings of poems by Billy Collins are, at turns, darkly humorous and touching. The New York Times has called his music 'haunting' and the Pittsburgh Post-Gazette...