Oxford University Press

All are bound to get caught up in the energy and fervour of this new setting of the spiritual Ride On, King Jesus. Wertsch uses the full range of dynamics and so adds intensity and variety to the vers...

SSAATTBB unaccompanied In 1854 Pearsall arranged his madrigal Lay a garland to the text Tu es Petrus. Richard Shephard has taken up this idea and skilfully adapted Pearsall's fine eight-part piece Gre...

This setting of the Nunc Dimittis was written for Westminster Cathedral and first performed at Compline on Easter Day 1916. In concerts it could be contrasted with the Latin settings by Howells and Ho...

Written in 1844 in thanksgiving for the preservation of the life of the Prussian King Friedrich Wilhelm after an unsuccessful assassination attempt, this is the original a cappella version of the well...

For SATB unaccompanied. This makes a very useful addition to the repertory for Ascension Day - either as an introit or as an anthem. The text is from the Collect for the Sunday after Ascension.

This new edition of the classic 'Tudor Responses' volume that first appeared in 1933 preserves the editions by Watkins Shaw that were published in 1966, though without Shaw's adaptations for the 1662...

SATTBB unaccompanied Gombert's In illo tempore: loquente Jesu is a six-part unaccompanied study in intricate part-writing, with sinuous stepwise motion and persistent imitative entries. The optimism o...

SATB unaccompanied. In this short, strophic, and effective introit Helvey has taken a children's folk melody and arranged and adapted it to fit the text of Mary Louise Bringle's poem. The result is a...

For SATB unaccompanied. An incandescent setting of versicles and responses for Evensong. The music is haunting in its simplicity, supporting and illuminating the text to great effect. The second set i...

For SATB unaccompanied. This is a beautiful setting of words from Act 3 Scene 2 of The Tempest. The opening soprano and tenor melody is based on a dreamlike, oscillating two-note cell which threads th...

New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and...

New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and...

New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and...

New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and...

This simple and appealing arrangement of a well-known 15th-century text alternates a gentle full-choir refrain with five verses for solo treble voices. As an optional ending, all verses may be sung to...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

A uniquely accessible and comprehensive resource for use in church services and concerts throughout the Church's year. The volume's 50 SATB pieces, both accompanied and unaccompanied, are suitable for...

For SSATB choir or soloists, unaccompaniedIn this setting, which includes salient fragments for St Luke's gospel (in Greek), alongside the customary text from the Book of Common Prayer, Finnissy rende...

For ATTBB solo voices unaccompanied. Skempton's setting of the text from the Book of Revelation is reflective rather than ferocious, and trusts in the power of understatement.

New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and...

For SSAATTBB unaccompanied. The weather, the most quintessentially English of topics, was the inspiration for this work. Chilcott weaves together a tapestry of well-known weather rhymes, such as 'The...

For SATB and 3 solo voices unaccompanied. With words drawn from an anonymous poem depicting Mary's woeful lullaby to her newborn son, this reflective piece draws the three solo voices from the chorus...