Oxford University Press

For SATB unaccompanied. There are three songs making up this cycle entitled 'Western Songs' - Buffalo Gals, Green Grow the Lilacs, and Ol' Chisholm Trail. The arrangements by turn spin contrapuntal an...

For SATB unaccompanied. There are three songs making up this cycle entitled 'Western Songs' - Buffalo Gals, Green Grow the Lilacs, and Ol' Chisholm Trail. The arrangements by turn spin contrapuntal an...

Based on Psalm 139, this beautiful and expressive tender hymn begins with unison upper voices and builds into four-part harmony.

Carey's arrangement is rich and impassioned, with a call-and-response soprano solo and some intense dynamic shifts.

For SAB and piano. The choir presents a statement of the tune sung in unison, followed by a canonic treatment of the melody. The piece ends simply with an unaccompanied section followed by a final sta...

For SATB, soprano and tenor soloists, unaccompanied. This is a setting of text by the Irish poet and singer Colum Sands in a contemporary folk style. Its secular text will appeal to a wide range of au...

For SATB unaccompanied. This lush setting of a text by John Donne is particularly appropriate during Lent but is also suitable for general use.

This canticle sets a text by the distinguished American hymn-writer Thomas Troeger. It is an accessible work whose opening bars suggest the gentle undulation of a stream. The exquisite tune receives v...

This is an exuberant setting of Psalm 95. A memorable rhythmic pattern is established by the organ toccata as it alternates between 4/4 and 7/8 for the outer sections of the anthem. The inner section...

For SATB with divisions unaccompanied. This beutiful canticle sets a text by the distinguished American hymn-writer Thomas Troeger. Suitable for Easter and throughout the year.

For SATB with divisions unaccompanied. This canticle sets a text by the distinguished American hymn-writer Thomas Troeger. It enlivens Troeger's already joyful text with an exciting 7/8 rhythm and a t...

For SATB unaccompanied. These short motets (Bread of Heaven and Bread of the World) are accessible by any church choir. The text makes them appropriate for any time during the church year, but they co...

The Musica Dei donum series makes accessible to performers a variety of interesting and generally lesser-known Renaissance vocal works. The titles in the series are presented in practical format, with...

For SATB and organ with optional strings. This setting invites the congregation to join in with several of the verses. Verse 1 is sung in unison, verse 2 is men only, verse 3 is a capella, and verse 4...

For SATB with divisions, unaccompanied Choirs will enjoy singing the lush, expanded harmonies in this short, breathtaking anthem. The fourteenth-century text is used widely during communion, but is al...

For SSAATTBB unaccompanied. This rhythmic and spirited setting of the familiar hymn is perfect for large choirs either as a commemoration piece or in a concert setting.

For SATB unaccompanied. Right from the first bar, this upbeat, refreshing arrangement of the African American spiritual will catch the attention of the performer and audience. Culminating in six-part...

For SATB unaccompanied. This is a lush setting of three poems by Sara Teasdale who, in 1918, won the precursor to the Pulitzer Prize for Poetry. This piece would make a welcome addition to the reperto...

Oxford Music from Canada is a new series of choral pieces by significant Canadian composers that reflect the themes and texts of Canada. for SATB unaccompanied The Grand Hotel is a setting of a folkso...

For SATB unaccompanied. The music opens with 'oos', and, after a pause, the choir enters, singing in Latin, sempre legato. Bassi writes lush choral lines with suspension after suspension, which result...

A setting of a poem by Ursula Wood, later to become Ursula Vaughan Williams. The dedication reads, 'To the memory of Charles Villiers Stanford, and his Blue Bird'.

For SATB unaccompanied. The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain the...

For SATB unaccompanied. The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain the...

For SSATB unaccompanied. The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain th...

Four five-part settings for unaccompanied voices