Oxford University Press

This setting of a Catalonian carol is cheerful, tender, and reverent. The interplay of two treble voices with each other and with the transparent orchestration provides many delightful moments. Orches...

For SS and piano

For SA and piano. This setting ranges from a minor blues style to an exuberant barrelhouse piano texture.

For unison voices (with optional divisi) and piano. The mood of this setting of words by an eleven-year-old changes dramatically throughout the piece as fragments of the text are repeated, interrupted...

The music rocks gently in this work for SA and piano or guitar, with optional flute

For unison upper voices with piano, or harp with flute (or violin) obbligato, or small orchestra (Fl, Ob, Cl, Bsn, Triangle, Hp, Str). The arrangement is inventive and sensitive to the original, with...

An Austro-German carol setting for SA and piano or chamber orchestra (2. 1. Ca. 2. 1-2. 0. 0. 0-Hp-Str). Orchestral material is available on hire.

For two-part children's chorus and piano. This is a diverting and occasionally touching set of five choruses on richly varied British and American texts. The complete set makes a superb larger concert...

For two-part children's chorus and piano. This is a diverting and occasionally touching set of five choruses on richly varied British and American texts. The complete set makes a superb larger concert...

For two-part children's chorus and piano. This is a diverting and occasionally touching set of five choruses on richly varied British and American texts. The complete set makes a superb larger concert...

For two-part children's chorus and piano. This is a diverting and occasionally touching set of five choruses on richly varied British and American texts. The complete set makes a superb larger concert...

This extrovert setting is in 6/8 interrupted by occasional 7/8 bars and with a rollicking chorus. The text is from Lewis Caroll's Alice in Wonderland.

For two-part upper voices and organ. This carol has an arching folk-like melody, with parallel thirds, fourths, and fifths in the last stanza, and a quiet and tender conclusion.

For unison upper voices and organ. This gently flowing anthem or introit is highly effective and useful on almost any occasion, especially when celebrating music itself.

For SA, piano 4 hands, with optional 2 flutes, or ensemble, or chamber orchestra. The choral writing in this traditional hymn arrangement is straightforward but hugely effective.

For unison soprano choir or solo voice, harp, and organ. The words are Spanish, by San Juan de la Cruz.

For SA, flute and keyboard. A setting of a traditional French carol

A Burgundian carol for SA, descant recorder, and percussion (finger cymbals, tambourine, hand drum, bass drum). The choir parts and the instrumental parts are straightforward, making this arrangement...

For unison treble voices and keyboard. A simple setting of the famous traditional Irish prayer with lots of harmonic interest supported by a straightforward piano or organ accompaniment.

For SA and piano

For SA and piano or harp. Words by William Blake.

For unison choir, soprano descant, and keyboard

For unison upper voices and organ

The flute part is printed in the vocal score. There is also an arrangement of this carol for SATB, flute, and piano.