Pan Verlag

Written for clarinet, two violins, viola and cello.

Tu Ne Sais Pas is a work by John Tavener for Medium Voice, Timpani and Strings. The work sets words by the French poet and philosopher Jean Biès, and from Islamic and Hindu sources. This is the Full S...

Tu Ne Sais Pas is a work by John Tavener for Medium Voice, Timpani and Strings. The work sets words by the French poet and philosopher Jean Biès, and from Islamic and Hindu sources. This is the Vocal...

For bassoon, with cello. Wake your wild voice was commissioned by the International Double Reed Society for the 2009 IDRS Conference in Birmingham, England. The first performance was given by Meyrick...

For Violin, Viola and Piano (Reduced from the orchestra version). Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or compl...

Dies ist die Partitur mit Gesangspart zu John Taveners 'To A Child Dancing In The Wind', für Sopran, Flöte/Altflöte, Bratsche und Harfe. Das gesamte Werk dauert etwa 30 Minuten und vertont eine Reihe...

Dies sind die Instrumentaltimmen (Flöte, Viola und Harfe) für John Taveners 'To A Child Dancing In The Wind', für Sopran, Flöte/Altflöte, Viola und Harfe. Das gesamte Werk dauert etwa 30 Minuten und v...

Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard Pittman, Music Director), with support from the Ernst von Siemens Foundation for Music and members of the Boston Musica V...

Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard Pittman, Music Director), with support from the Ernst von Siemens Foundation for Music and members of the Boston Musica V...

Kaija Saariahos 2015 entstandene Oper Only The Sound Remains wurde von der Niederländischen Nationaloper, der Finnischen Nationaloper, der Opera de Paris, dem Teatro Real Madrid und der Canadian Opera...

Finnish composer Kaija Saariaho's Bosun's Cheer, composed in 2014. Included here are the score and parts for the Modern Instrument Version, arranged for a speaker, Flute, Cello and Double Bass. Born...

Finnish composer Kaija Saariaho's Bosun's Cheer, composed in 2014. Included here are the score and parts for the Period Instrument Version, arranged for a speaker, Violin, Cello and Double Bass. Born...

The score and parts for Judith Weir 's O Viridissima, scored for Violin, Cello and Piano. The work lasts around 4 minutes, and was written as a gift for the Late Music Concert Series, being first perf...

This is the score for Judith Weir 's Praise Him With Trumpets, a work for 2 Trumpets, SATB Choir and Organ. Commissioned by Historic Royal Palaces in collaboration with The Choral Foundation, the piec...

Commissioned by Wigmore Hall, with the support of Andre Hoffmann, president of the Foundation Hoffmann, a Swiss grant-making foundation. First performance on 29th March 2016 at the Wigmore Hall, Londo...

Commissioned by Wigmore Hall, with the support of Andre Hoffmann, president of the Foundation Hoffmann, a Swiss grant-making foundation. First performance on 29th March 2016 at the Wigmore Hall, Londo...

Setting the texts of Robert Herrick, this work for Countertenor and Viol Consort was commissioned by Paulin Bündgen - Ensemble Céladon, Grame, cncm and Centre culturel de rencontre d'Ambronay. Score a...

The Sweet Primroses is a work by Judith Weir for Mezzo-Soprano Voice and Viola. Commissioned by the University of Birmingham for the CrossCurrents Festival 2016, the first performance was in February...

El Chan is a work by Bryce Dessner for Piano Quartet. Commissioned by Britten Sinfonia and Wigmore Hall, the piece was composed as a gift for the Academy Award winning director Alejandro González Iñár...

A Few Words Of Thanks is a work by Judith Weir for Flute, Oboe, Clarinet, Viola and Cello. This is the Score/Parts, and a full performance lasts around 1. 5 minutes.

Michael Nyman 's 'Viola And Piano', composed in 2009. This version was revised in 2014 and is scored for Flute, Clarinet, Piano, Violin and Cello.

Composed for the Schubert Ensemble's farewell tour and modelled on 'Abschied' from Schubert's Schwanengesang, this four-minute piece gives each player a brief solo before the work's close. A light-hea...

Composed for the Schubert Ensemble's farewell tour and modelled on 'Abschied' from Schubert's Schwanengesang, this four-minute piece gives each player a brief solo before the work's close. A light-hea...

A setting of four poems by Wallace Stevens, Kathleen Jamie, Norman MacCaig and Emily Dickinson for soprano, cello and piano. commissioned by Kings Place, and first performed there on 24th October 2019...