Periferia

A charming and festive suite of five dances by Cuban composers Manuel Saumell and Ignacio Cervantes, arranged and adapted for Requinto (E-flat Clarinet) and Piano by Ailem Carvajal-Gómez. The movement...

Joaquim Homs is recognised as the leading pioneer of twelve-tone composition in Spain, but the products of his long life and career were always grounded in romantic expressiveness. Homs was born in Ba...

This piece has its source in a previous melody of the author. This score shows the hidden possibilities of a theme originally presented in a tonal form. The new harmonic and rhythmic possibilities bui...

'One F may not say a thing. One may not even be noticed among the nervous disturbance of quick scales? Two Fs? Two Fs is different. One can feel their security as they are not alone. But three Fs? Thr...

A brilliant score for percussion set. The own performer chooses the instrumentation. The work explores the metre's repetition and modulation.

I spent more time on the creation of the 'Study in three movements' than on other orchestral works that were longer. This usually surprises people who don't write. However, the more instrumental limit...

Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maes...

Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maes...

Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maes...

Giovanni Gabrieli - Canzon Septimi et Octave Toni a 12 aus 'Sacrae Symphoniae', Buch 1, für Klarinettenchor, bearbeitet von Andrew Seigel. Giovanni Gabrieli war ein italienischer Komponist und Organis...

The work is written for a four-part female choir, and it has a disturbing beginning which is transformed into a rhythmic structure, where the harmony is stretched and the harmonies stop having a tonal...

This piece is inspired by a personal interpretation of the relationship with our divine origin. This work is characterized by the use of modal scales, secundal harmony, hemiolas, and 5/8 and 7/8 time...