Southern Music Company

The Gozzi's Turandot - in one form or another - occupied Busoni at various times in the years 1904-1917. He was very fond of fantastical, magical tales: his immediately preceding work was the Piano Co...

Composed in the summer of 1984, Yorkshire Ballad was premiered at the Kansas Bandmasters Association Convention by Claude T. Smith and the Kansan Intercollegiate Band. Since its publication, it has be...

The band version was commissioned by the Long Beach Middle School 1984-85 8th Grade Band, Long Beach, N.Y., Richard Hornung, Director. Versions for band and orchestra are available from the publisher.

The Merry King' is a folk song from Sussex, England. Percy Grainger originally transcribed the melody in 1905, sketched for chorus within the year after, then set it for piano or small orchestra betwe...

This work expresses the composers impressions on the scenery and people of his native land, Australia. The scoring is arranged so that the lead male and female vocal lines can optionally be played by...

This is movement No. 2 from the suite 'In a Nutshell' scored for symphonic band by Mark Rogers. No actual folk songs or any other popular tunes were used in the suite, according to the composer. The p...

Jules Verne's popular 1873 adventure novel, 'Around the World in Eighty Days, ' has inspired countless readers, as well as two motion pictures. The first of these, produced by Michael Todd, featured a...

Sobre Temas de Autores Olvidados

Momentum, commissioned by the National Association of College Wind and Percussion Instructors, is an advanced percussion octet, with each musician on one instrument for the entirety of the piece. The...

This mambo is written in 5/4. Instrumentation: Maracas, Claves, Bongos, Congas, and 2 Marimba players (both marimba parts can be played on one instrument.)

A percussion piece for 10 players, 'Antiphon' divides the musicians into two choirs. Aside from timpani, all other parts consist of unpitched drums including snare drums, tom-toms, bass drum, bongos,...

A three movement piece for five players on mixed percussion. Instrumentation includes: Two marimbas, vibraphone, bells, triangle, snare drum, two tom-toms, chimes, timpani, bass drum, gong, hand cymba...

Originally written in 1925 for xylophone and piano. It is basically a ragtime march, and avoids the elaborate cross-rhythms and sticking techniques popularized by the composer's brother, George Hamilt...

This collection of music consists of four duets for small percussion instruments. It has been written with the intention of not only exposing students to various techniques of playing small percussion...

This lively, up-tempo title for mixed percussion octet is a wonderful piece for advanced percussion groups wishing to work on complex and mixed meters. Instrumentation: 1. Xylophone, 2. 1st Marimba, 3...

This percussion octet (mixed pitched and non-pitched instruments) for advanced players is a wonderful selection for recital or contest. As the title suggests, each player (or layer) is very independen...

This percussion quartet, written for two snare drums, tenor drum, and bass drum, offers young players the opportunity to showcase their early rudiment skills. It is an ideal choice for contest or reci...

This setting was written for the University of Arkansas Percussion Ensemble. The arrangement provided and expressive and musical challenge for the mallet percussion ensemble. The setting has been orga...

This aggressive, rhythmic percussion ensemble for eight players requires precision and musicality on an energetic level from each performer. Instrumentation includes both pitched and non-pitched instr...

Drumming Together is devoted entirely to interesting duets in a variety of rhythmic patterns. It brings a wealth of material for the intermediate and advanced students as well as professional drummers...

Twenty-six percussion duets of varied difficulty and canonic techniques. Players are encouraged to experiment with various speeds commensurate with their level of accomplishment.

Snare drum solo for concert, contest or recital performance written by the Professor Emeritus of Percussion at the University of Texas.