UT Orpheus Edizioni

Rediscovering, studying and analyzing the musical art of Philipp Joseph Hinner means enhancing a piece of the eighteenth-century harp music mosaic. Hinner’s work intrigues for its extraordinary simpli...

Rediscovering, studying and analyzing the musical art of Philipp Joseph Hinner means enhancing a piece of the eighteenth-century harp music mosaic. Hinner’s work intrigues for its extraordinary simpli...

John Stanleys 30 Voluntaries (übersetzbar als Präludien), veröffentlicht in drei Sammlungen als opp. 5, 6 und 7, gehören zu den bekanntesten Orgelwerken des 18. Jahrhunderts. Diese "Freistilkompositio...

The piece was composed in 2012 as musical comment on a succession of images and, according to the composer's statements, to get young people close to a guided listening of music. The captions in the s...

Although not ignored, the Second Edition of Geminiani’s Op. 2 Concertos has received little attention from commentators, editors and performers, compared to the 1732 ‘main version’ of the concertos. G...

Geminiani’s Op. 3 Concertos have come down to us in no fewer than four different versions. The first is the one published by Walsh in 1732. The Amsterdam music publisher Michel-Charles Le Cène publish...

Geminiani’s six Concertos Op. 3 were first published in 1732 by John Walsh, in London; the next year, the Amsterdam music printer and publisher Michel-Charles Le Cène issued a revision by the composer...

In the second half of the 19th century, in Italy, melodrama was still the most practised musical genre, but space for instrumental production began to grow, especially thanks to the “Quartet societies...