University Of York Music Press

For Wind Quintet. Published 1998. Commissioned by the Junior Academy of the Royal Academy of Music. First performed Score.

For 16 instruments. Published 2004. 1. 0. 1. 1 / 1. 1. 0. 0 / hp. pf. 2perc / 2. 2. 2. 1 Commissioned by the Music Department of the Calouste Gulbenkian Foundation. First performance: Birmingham Con...

Version for saxophone quartet, piano and percussion. Published 2004. Score.

For soprano and ensemble. Published 2001. fl(+afl), A cl(+bcl), perc, hp, pf Texts: Camilo Pessanha. French translation also available by Christine Paris Montech. Commissioned and premiered by the L...

Version for Wind and Percussion Chamber ensemble. Published in 2004. 0. 0. 3(3rd=bcl). 0 / tsax / pf / 2vib. 5-octave mar Score.

For 8 instruments. Published 2006. 0. 1(=ca). 1. 1 / 1. 0. 0. 0 / 1. 0. 1. 1. 1 Commisioned by Camerata Senza Misura. First performance: Camerata Senza Misura, 2006. Score.

For Marimba and String Quartet. First performance: Pedro Carneiro (marimba) and Ensemble Stroma, New Zealand International Festival of the Arts, Wellington Town Hall, 12 March 2002 Score.

Luis Tinoco's Ends Meet for Marimba and String Quartet. Composed in 2002. Premiered by Pedro Carneiro (marimba) and Ensemble Stroma at the New Zealand International Festival of the Arts, Wellington To...

For large ensemble (1. 1. 2. 1, 1. 1. 1, 2x Perc, 1. 1. 1. 1. 1) Before Spring was commissioned by the OrchestrUtopica to be performed as an opening piece to Stravinky's The Rite of Spring, and it wa...

Scored for Baritone/Narrator and Ensemble, this humerous work takes its texts from various sources, including internet spam! > Baritone Voice/Narrator > > Flute > Oboe > Clarinet > Bass Clarinet > Bas...

Luís Tinoco's Lídia for 16 musicians. Score. This work was commissioned by the Companhia Nacional de Bailado for 'Lídia' - a ballet with choreography by Paulo Ribeiro. It was first performed by Lisbon...

For Tenor and 11 Solo Strings. Written for Wingfield Arts Residency. First performance: 21st May 1999, Eye, Suffolk; Nils Brown (tenor), New Music Players, conductor Patrick Bailey.

For Flute, Clarinet, Horn, Harp, Piano, Violin and Cello. Published 1992, rev. 1999 First performance: 22nd July 1992, Pembroke Chapel, Cambridge Festival, New Music Players, conducted by Paul Hoskins...

For Flute, Clarinet, Percussionist (Marimba and Vibraphone), Piano, Violin and Cello. First published in 1999.

For Flute, Clarinet, Percussionist (Marimba and Vibraphone), Piano, Violin and Cello. First published in 1999.

For Clarinet, Violin, Cello and Piano. Published 1997 Commissioned by the London Sinfonietta. First performance: 21st February 1998, QEH, London.

For Flute, Clarinet, Violin, Cello and Piano. Published 2001 Commissioned by Bath International Music Festival and South West Arts with funds from Foundation for Sport and the Arts. First performance:...

For Solo Flute, Solo Violin, Solo Percussion, 4 Clarinets, and String Quartet. Published 2002. Commissioned by Bath Film Festival with funds from South West Arts First performance with screening of th...

For Flute, Clarinet, Violin, Cello and Piano. Published 2001. Commissioned by Bath International Music Festival and South West Arts with funds from Foundation for Sport and the Arts. First performance...

For Flute, Clarinet, Percussion, Piano, Strings, Tape. Published 2007. commissioned by Glyndebourne Opera, Photoworks and De La Warr Pavillion. for the film Auditorium, by Sophie Rickett First perform...

Score for Flute (Piccolo), Clarinet, Horn, Trumpet, Piano, Percussion, Cello, Double Bass and Four Channel Tape. Published 2007. Composed with support from Arts Council England for Sergei Eisenstein's...

For Piccolo, Clarinet, Horn, Percussion, Piano, Violin, Cello and Electronics. Published 2006. First performance: 2nd November, 2006 at The Warehouse, Theed St, London, The New Music Players conducted...

For Folk Violin, Folk Melodeon plus Flute (doubling alto flute), Clarinet (doubling bass clarinet), Violin, Cello, Piano, Percussion.

My music is influenced by all kinds of polyphonic writing - meaning both vocal and instrumental varieties. Recently I have become interested in the ways in which musical forms based on rhythmic proces...