Walrus Music Publishing

Tenor sax ballad feature. Intensity & sensitivity go hand in hand. Some sax dbls. Recorded by Bob Florence Limited Edition on Soaring on Sea Breeze Jazz.

Very pretty, and unique piece for big band. Brass and saxes acapella throughout, with drums on sus cymbal. A 4-minute jazz chorale, conductor not a necessity. Recorded by Ryan Haines Big Band on 'To T...

Jazz waltz. Features Tenor & Trpt solos. Once again available in original form.

Jazz waltz. Chart features Trpt & Tenor solos. No dbls. Recorded by Rob McConnell & The Boss Brass 'Don't Get Around Much Anymore'.

Grammy nominated best instrumental composition for jazz ensemble 2009.Up-tempo, exciting rocked-out composition from the University of North Texas library. Recorded on 'Lab 2009' the piece is based on...

Two tenors are featured soloists w/trading choruses. Some sax dbls. Recorded by Bob Florence Limited Edition on Soaring on Sea Breeze Jazz.

Tauchen Sie ein in die geheimnisvolle, packende Atmosphäre des klassischen Kinos: Mit „Film Noir Suite – Part I“ präsentiert Walrus Music Publishing ein meisterhaftes Werk für Big Band aus der Feder v...

Tauchen Sie ein in die klangliche Weite von „Wide Open Spaces“, erschienen bei Walrus Music Publishing! Dieses atmosphärische Werk für Big Band entfaltet auf Basis eines zugänglichen 16-taktigen Moll-...

Hard driving shuffle! Written in the style of the Bob Berg recording on the CD "Short Stories". Composed by Bob Berg, arranged by Mike Crotty. Solos for tenor sax, guitar, and trombone (opt). Can be u...

A medium up tempo original in 5 flats based on an old standard with a similiar title. Solos are for piano (or guitar) and trumpet 2 (or trombone2). There are 3 contrapuntal choruses in front where eve...

A medium tempo blues in Eb, featuring trumpet 2 and bari sax on the melody and lots of solo space. There are a couple of choruses of horn counterpoint without the rhythm section, and several roaring s...

Named in honor of the legendary Paquito D'Rivera, this composition is built around the rhythms, excitement and energy of Afro Cuban music. The piece begins with a rock influenced cha cha cha feel. Aft...

...is a 'great early in the year' medium shuffle. Scored for confidence building and easy playability, the piece is set to the chord changes of 'Bernies Tune' and with flexible backgrounds and changes...

..by Bob Pilkington. Dark, moody blues inspired by the incarceration of journalist Nicholas Daniloff by the Soviet government in the 1980s. Originally scored for six brass, this version is for A/S, T,...

Strong ballad statement (inspired by Michel LeGrand), develops to a jazz waltz feel for solo(s) and returns to ballad for conclusion. Originally written for the Mark Colby CD 'Speaking of Stan', this...

Bop line to 'It Could Happen To You' changes. Line is stated by tenor sax & trumpet adding horns compliment as it progresses. Fats' Ending is quote from Navarro - Powell recording of 'Fats.' Circa 104...

Contrasting extremes in style. Happy, foot-stomping gospel section. Scored for (Bb/Eb/C/Bass Clef parts) Piano/Bass/Drums

A 3/4 jazz waltz inspired by classic Flamenco dancers of Spain. Scored for (Bb/Eb/C/Bass Clef parts) Piano/Bass/Drums

Lil' Darlin' type chart. Med tempo swing chart. Features Trbn solo. Guitar, & bass solos. Written for 5 tenor bones, 2 bass bones & Rhy.

Three trombones using Dixie' mutes and two bass trombones using 'Bucket' mutes set up a swinging Latin pattern for trombones I & IV to play an opening unison and harmony line for this seven and one-ha...

Beautiful melody w/written solo for Trbn III & Vi, slow 1940's fox trot feel. Written for 5 tenor, 2 bass Bones, & 4 Rhy.

Arranged in the bossa nova style in which it is commonly played. Intro and ending are clock-like, and the melody is split between various players. Solos include one trombone and piano. Arrangement emp...

This is a medium up-tempo arrangement of a popular Bill Evans swinger that features bass and drums as well as one tenor bone player. After an intro composed by the arranger, the bones play the melody...

The melody to Jim McNeely's "Low Ball" can effectively be broken into two parts. The first features a swirling ostinato that is underpinned by a gentle half-time hip-hop feel. The second involves a mu...