Walrus Music Publishing

Blues For Messin' around is a medium blues written in the style of Count Basie. It features a trumpet solo with plunger, and piano. Enjoy! 5/4/4/G/P/B/D. Trumpet to D and trombone to Bb. Piano part is...

A 'git down' shoutin' blues in the style of Woody Herman's 'Greasy Sack Blues.' Some nice dynamic shadings contrast with a hot shout chorus and plenty of solo space. Has a laid back blues feel to it....

Commissioned by Lewis Britton Middle School, Morgan Hill, California. Funky shuffle tune based on the 60's hit by Canned Heat, 'On the Road Again.' Solos for tenor and piano. Features individual secti...

Medium blues. Solos for piano, trumpet w/harmony & Trombone. As recorded by Count Basie Orchestra.

This is a kind of knock-down-drag-out blues in A-flat major that features solos by piano and trombone. In a medium fast swing tempo (quarter note =160), the chart is somewhat typical of the so-called...

Discommotion is a medium up-tempo (quarter note=176) blues in B-flat that really shouts for 4 minutes and 55 seconds. Reminiscent of big band jazz from the 1960's, it might be called a sort of 'Off-Ba...

Originally written to feature legendary veteran bassist Earl May, longtime member of Frank Foster's Loud Manority big band rhythm section, this chart is perfect for the big band bassist who rarely tak...

One of Frank Foster's more ambitious charts in the context of the so-called 'Basie Tradition,' Major Butts is really just another medium up-tempo 12 bar blues, but with the added twist of an 'I Got Rh...

Tomorrow's Blues Today is a somewhat different kind of 'blues.' While it employs the normal 12-bar chorus format, it uses minor seventh chords insted of major or dominant chords in the first eight mea...

2nd trombone is featured throughout this arrangement, opening with the melody written out for solo trombone playing funky using the plunger (ala the late Al Grey), then unison trumpets take over doing...

A medium-up-tempo B-flat blues featuring 1st tenor sax throughout (originally written to feature tenor sax star Bill Saxton). The brief ensemble introduction is followed by unison saxes in the opening...

Recorded by Rob McConnell and the Boss Brass on their 1996 Concord Jazz album 'Even Canadians Get the Blues,' this is a burner of a shuffle chart. Featuring a down-home boogie shuffle feel throughout,...

Easy 12 bar blues in the Basie vein. Starts softly and builds to the solo section. The chart concludes with a swinging shout chorus, modulating up a step for 'one more time'. Tenor solo, but hey, it's...

Joe Riposo has hit the mark in providing a medium up tempo blues that is playable by any bands. It sounds hard but plays easy. The brass ranges are very moderate and the rest of the parts playable. Th...

Fun medium-tempo minor blues swinger in the vein of Killer Joe, but with a decidedly tongue-in-cheek melody and a funky, chromatic bari sax, bass bone, and bass melodic feature before the recap. Inclu...

A fun half-time blues with plenty of solo space to go around. The chart begins with an unaccompanied bass solo leading into a repeated groove-based line in the bass and piano that kicks off the full b...

A straight ahead medium blues. Features Tenor and Trumpet solos as well as a bop style reed soli. There is a 3-6-2-5 extension after the exciting out chorus. 5 reeds, 4 trombones, 4 tpts, 4 rhythm. Me...

A fun, very easy-to-play Bb blues that is a great introductory swing tune for young students. The solo section is open for any instruments, and the piano and bass parts are fully notated along with ch...

Medium Swing Blues. The tune begins with an open C Blues section for piano or guitar a la the Basie Band. The melody has been harmonized with a number of substitutions rather than the standard blues h...

Bright boogaloo straight 1/8th. (Lusaka is the capital city of Zambia) This is feature for Alto and Baritone sax. The solo sections are centered around G7sus (concert) and Bb7. It can get as funky as...

A fast minor blues (Buddy Rich style) in E minor. Lead trumpet one written double high G. Soloists: Alto 1, Tenor 1, Trumpet 4, Trombone 1 & 2 trade fours. 5/4/4/G/B/B/D. No doubles.

A bluesy shuffle tune. Lead trumpet to one written high F. Solos for trombone 3 and tenor 1. 5/4/4/G/P/B/D. No doubles.

This bluesy groovin shuffle is a great workout for the entire band and features classic big band interplay between the brass and saxes. The 16-bar form serves as a great vehicle for the beginner/inter...