Walrus Music Publishing

A challenging, very contemporry chart that erases those lines between improvised and compsed music; contemporary classical music and jazz; organization and chaos. Much of it is not based on traditiona...

As the title indicates, this chart depicts the many changing and unpredicatble moods associated with Mother Nature. It is influenced by Kenny Wheeler, Jim McNeely, and Vince Mendoza. Lengthy solos are...

Lots of Coltrane influence here with this chart. The melody is beautifully scored, making use of muted brass and saxes floating calmly over a quietly driving rhythm section. Lots of solo space, a fun...

This is technically an easy chart but harmonically a very interesting one to play. It is a great chart to teach balance, blend and intonation. I would suggest at first playing this chart in a choral s...

ATB, improv in sopranol. Count Basie medium swing style. Somewhat challenging soli/shout section with 16th note passages in soprano and tenor unisons with bari and alto harmonic support occasionally j...

SATB, improv in soprano and bari. Compositionally complex, this work is based on fourths and altered chords and scales such as lydian dominant and the super-lodrian or diminished whole-tone. Following...

AATB, improv in alto 2. Hard-Bop's tribute to reggae. This simple D minor tune has a great feel and is refreshing. It always receives favorable comments from audiences, perhaps because of the straight...

AATB, opt. improv in the 2 altos and tenor. Translated as OThe Last Tune,O. Latin groove with vamp in the beginning for introduction of players, and a vamp in the middle for a Owalk-out-in-the-audienc...

2 flutes, tenor (doubles on clarinet), bass clarinet, improv in tenor (feature). Feature ballad for tenor saxophone. Designed to be played by a saxophone quartet that doubles. Patterned after a Baroqu...

SATB, improv in soprano. This piece, in a medium Latin style, provides a relaxing contrast for the listener in the midst of an energetic concert. The melody is shifted around the top three saxophones...

SATB, improv in soprano and alto. Quartet reduction of wind ensemble with quartet composition. Makes use of rhythm changes, ostinato, and modal techniques within a straight 16th contemporary style. Im...

AATB, improv in alto and tenor. Written as a companion piece to another Hard-Bop Quartet composition, OWith Friends Like These....O O...Who Needs EnemiesO was originally for wind ensemble and quartet....

AATB, alto 1 feature with improv. Rock ballad that features the 1st alto throughout. The piece opens with three quartal chords which set a contemplative mood. Rhythmic interplay in the background supp...

SATB. QUARTETS. Score and parts.

Med up swing. Saxophone Quartet features contrapuntal bebop writing, using two simultaneous, soloistic melodies with accompaniment from another saxophone. Combination of three saxes playing at any one...

SATB, improv in soprano. 7:30. Based on a Newfoundland folk tune that helps audiences to relate to the composition. Difficulty lies in use of mixed meters; however, meters fit into a groove that makes...

This suite which is approximately 30 minutes in length for satb is a challenging orchestration of Liebman's solo recording of this title. It features soprano sax lead, but also many instances of group...

This unique piece features four soprano saxophones in a wide ranging panorama of colors and harmonies with a section of group improvisation featuring assigned multiphonics and false fingerings.

Short tour de force for Soprano, Alto, Tenor, & Baritone Sax's. 4/4 andante into 3/4 Moderato into 6/8 into 12/8 into Swing.S,A,T,B. Medium.

AATB, solos in alto 1 and tenor. The groove is straight, based on a hip-hop beat concept. In rondo form with an ethereal melody over an open fifth modal sound leading into bebop 16ths and modern harmo...

SATB quartet with rhythm section. Quartet not designed to stand alone (harmonies take advantage of roots in the double bass). Solos in bar and alto. Altered harmonic progression stemming from ''''''''...

SATB quartet with rhythm section. Quartet not designed to stand alone (harmonies take advantage of roots in the double bass). Alto feature with homophonic and contrapuntal support from the quartet enr...

The third and last movement of the Continental Suite for saxophone quartet (SATB) concludes with the baritone saxophone feature Angst. The composition features pointed articulation, multiphonics, and...

Vermont Ave. is composed as the first movement of the Continental Suite for saxophone quartet (SATB). It laternates between a straight eigth note feel and a swing feel and includes some very challengi...

SATB. The 'FOUR' in the title is a tribute to the quartet it was written for, FOUR. Of course 'FOURway' suggests an equal meeting; the 'Stop' is a cluster that appears periodically. The a cappella ver...