Noten für Instrumente

The Victorian and Edwardian eras were among the most fruitful periods of English organ music, typifying as they did the dominance of the concert hall organ which found its outlet in the grandiose inst...

These two chorale preludes lie well within the tessitura of the rass quintet. This music , written in 1896, was the last Brahms wrote, and was published posthumously. He wrote little organ music, but...

Contains: Handel * Debussy * Purcell * Elgar * Massenet

From Tartini's third compositional period, this concerto in three movements has been prepared using the primary source of Tartini's autograph.

An 'operatic' concerto full of drama. Wonderfully violinistic throughout and a delight to play for intermediate and virtuoso alike. The vivid ritornellos and extrovert solo episodes makes this a highl...

L'argile, la forme, le ravin du monde (Argil, shape, the world's ravine), can be read Le materiau, la forme, le Tao (Material, shape, Tao). There are but four ingredients: my fetish tone row, a very l...

A wonderful concerto in the galant manner.

Over the beautiful second movement Tartini wrote 'I know you have no mercy' using his secret code. With the outer movements this concerto is a first class representative of the 18th century concerto....

Prepared from all four known sources, this concerto from Tartini's first compositional period emerges as a masterpiece.

Typically for Bitti's earlier sonatas, the Sonata in B flat major that heads the London group features four movements in the standard configuration for chamber sonatas of the time: a prelude-like slow...

Typically for Bitti's earlier sonatas, the Sonata in C minor belonging to the London group features four movements in the standard configuration for chamber sonatas of the time: a prelude-like slow op...

Unusually for Bitti's earlier sonatas, the Sonata in G minor belonging to the London group features only three movements: a prelude-like slow opening movement full of melodic eloquence, followed by a...

This Sonata in A major belonging to the 'London' group was published by John Walsh in January 1704 as the opening work in a series of violin sonatas by different composers delivered to subscribers in...