Noten für Instrumente

On May 30th 2004, a few days after completing my Concerto Burlesco for bassoon and small orchestra, I attended a concert given by bassoonist Alison Woodward, known to her friends as 'Poppy'. The ensui...

Antonin Tucapsky is a Czech born composer who lives and works in London. In 1975 he was appointed Professor of Composition at Trinity College of Music, London and held this position for 21 years until...

The two sentimental songs hark back in style to the palm court music played in seaside hotels in days gone by. Paul Lewis writes 'The bassoon is for me primarily an instrument of poetry and passion, a...

For bassoon and orchestra. Revision and piano reduction by Alexandre Ouzounoff.

Studie i Variationsform For Fagot Solo Op. 34 was composed by Anders Koppel in 1938.

This collection includes the following works: I. Adagio and Allegro (Fiorillo), II. Allegretto in C Minor (F. Mueller), III. Andante and Allegro (C. Baermann), IV. Caprice (Capelle), V. Fantasy (S. Le...

An exceptional support collection that provides the developing basson student with a routine for practice and study that will establish strong performance practices resulting in a more accomplished an...

Julius Weissenborn is best remembered today for the teaching material written for use at the Leipzig Conservatorium where he taught bassoon from 1882. His two famous 'tutor' books are still the most p...

Also published with band accompaniment.

Dedicated to Sol Schoenbach.

This fun and melodic medium-tempo piece is ideal for contest or recital by a 2nd or 3rd year bassoonist.

Highlights of Cioffari's career include 30 years at Bowling Green State University in Ohio, principle double bassist of the North Carolina Symphony, conductor of the Chamber Orchestra of Columbus, and...

Also titled 'Der alte Brummbar' (The Old Grumbling Bear). By Julius Fucik, justifiably called the 'Czech March King', this 'polka comique' came to the attention of the editor when he began searching f...

As commissioning bassoonist Jeffrey Keesecker wrote after the concerto's premiere, 'Eric has composed a modern masterpiece, a profound work of depth and meaning that captures the soul of the bassoon.'...