Noten für Instrumente

Original Version for Ophicleide & Piano or Concert Band.

Original Version for Ophicleide & Piano or Concert Band.

Original Version for Ophicleide & Piano or Concert Band.

Original Version for Ophicleide & Piano or Concert Band.

Blik [Gleam] is a work by Icelandic composer Askell Masson, inspired by and written in 1979 for clarinet virtuoso Einar Johannesson. The six minute long piece covers the complete range of the instrume...

Blik [Gleam] is a work by Icelandic composer Askell Masson, inspired by and written in 1979 for clarinet virtuoso Einar Johannesson. The six minute long piece covers the complete range of the instrume...

The Sonatina’s three movements are played without a break. The opening Andante is a dark, slow waltz — a spectre, perhaps, of old Vienna — with its tightly coiled motifs leading to a more lyrical, med...

The Sonatina’s three movements are played without a break. The opening Andante is a dark, slow waltz — a spectre, perhaps, of old Vienna — with its tightly coiled motifs leading to a more lyrical, med...

These 3 Bagatelles, for clarinet alone, by Islandic composer Askell Masson, are a study of contrasts involving a wide range of dynamics while utilizing the full range of the clarinet. Quest, the first...

These 3 Bagatelles, for clarinet alone, by Islandic composer Askell Masson, are a study of contrasts involving a wide range of dynamics while utilizing the full range of the clarinet. Quest, the first...

Dez a fio' ist im Portugiesischen ein sprachlicher Ausdruck, der 'eine Folge von 10 Dingen' bedeutet. Im Kontext dieses Werks spiegelt sich diese Idee in der formalen Struktur wider, oder anders gesag...

Dez a fio' ist im Portugiesischen ein sprachlicher Ausdruck, der 'eine Folge von 10 Dingen' bedeutet. Im Kontext dieses Werks spiegelt sich diese Idee in der formalen Struktur wider, oder anders gesag...

Die Sonate für Klarinette und Klavier stellt meine inneren Gefühle und meine persönliche Wahrnehmung der Entwicklung der Welt dar. Es war meine Absicht, eine moderne musikalische Sprache zu verwenden,...

I chose Solissimo as a general title for a series of works for unaccompanied instruments. The first part of Solissimo III for clarinet alone – Lento – was written in the form of a passacaglia. A low t...

I chose Solissimo as a general title for a series of works for unaccompanied instruments. The first part of Solissimo III for clarinet alone – Lento – was written in the form of a passacaglia. A low t...

Als Förderer zeitgenössischer Musik war es schon immer mein persönliches Credo, bei meinen Konzerten eine Komposition uraufzuführen. Als das Lincoln Center for the Performing Arts (NYC) mich bat, eine...