Anspruchsvolle Noten für Big Band

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

An off-beat groovy modern/contemporary 4/4 composition featuring a duo-solo between trumpet 2 (on flugel horn) and alto 1. The piece also has a piano solo and an interesting development section. The p...

A wonderful straight 1/8th note contemporary composition which starts with an unaccompanied sax soli, employs a few very interesting metric modulations ( i.e. tempo changes), alternates between 3/4 an...

A 'very intense' medium-up tempo piece with a straight-eighth feel. This chart has a driving rhythm requiring a strong drummer. A small horn grouping (tpt/alto/bari/tbn) presents the theme atop variou...

Contemporary modal piece with a Herbie Hancock flavor. A few meter changes (6/4 and 5/4) will keep you honest, although most of the piece is in four. Flugel/guitar or vibraphone play the head. Soprano...

Style: Fusion. Instrumentation: 5 Saxes: 1 Soprano sax and Flute, 2 Alto Sax and Flute, 3 Tenor and Soprano sax, 4 Tenor and Flute, 5 Bari (no doubles). 5 trumpets (5th on Flugelhorn). 5 Trombones,Gui...

Modern post-bop style composition based on the progression of I Got Rhythm. The bop styled melody is a great workout for the saxophone section and is followed by an open solo section. A unison soli se...

This is a modern ECM-style composition that features baritone saxophone and trumpet in a moody and pensive setting. A tuneful melody comprised of wide intervals sets the stage for your trumpeter and b...

An interesting group of rhythmic fragments played by the ensemble come together to form a dynamic piece for small band. The groove is a medium-up 'even eighth' feel...almost 'Weather Report' in nature...

Up-tempo straight ahead jazz chart utilizing modal A sections with changes for the bridge. Solo space for alto sax and piano or guitar. Scored for Alto, Tenor, Bari, 2 Trumpets. 1 Bone, Piano, Bass, D...

Das ist Woody Herman pur und eine Transkription des Original-Charts von Nat Pierce. Der Jazz Me Blues ist eine alte Dixieland-Melodie aus den 1920er Jahren, und dieses Arrangement hebt sie in eine völ...

Darktown Strutters Ball ist dem Trad-Jazz-Publikum wohlbekannt, aber es ist eine kleine Seltenheit, dass es ein Chart für Big Band gibt. Diese Version ist eine Transkription des Ken Moule-Charts, das...

Dieses Arrangement wurde von Ben Homer für das Les Brown Orchestra geschrieben und ist ein skurriles und unterhaltsames Stück, das sich gut spielen lässt. Alles entspricht der Originalaufnahme - das D...

Bright swinging arrangement of this Gospel favorite. Tune recorded by The Dukes of Dixieland, Louis Armstrong and Elvis Presley. Open section for all to solo. Big ensemble. Tpt.1 top note F# (top of s...