Anspruchsvolle Noten für Big Band

Adapted from the chart he did for Diana Krall, and recorded with the Clayton-Hamilton Jazz Orchestra on her CD Christmas Songs, here is John Clayton's joyous up-tempo swing chart on this holiday favor...

Holiday jazz by Gordon Goodwin. This adaptation of 'Oh Tannenbaum' is quite an adventure offering a chorale, some Basie style and fast and furious Goodwin bebop. Solo space for alto and tenor sax, tru...

Gordon Goodwin gives this easy-to-play holiday chart a jazz waltz treatment. Features include: a soprano sax part (alternate alto 1 part), a 2nd alto part with flute (alternate 2nd alto sax-only) and...

Gordon Goodwin's 'I Heard the Bells on Christmas Day' is played at a medium swing around 120 BPM. The lead trumpet range is up to written high G, there are terrific shout choruses, a few modulations,...

Right from the Count Basie book, and taken from the latest CD from the Count Basie Band. This is not a re-arrangement! These are the parts used by Frank Foster and the Basie Band in their nightly enga...

Viele Bands haben Jersey Bounce gespielt, und die beiden bekanntesten sind die des Miller und Goodman Orchestras. Dies ist die Version von Benny Goodman, die von Alan Glasscock akribisch transkribiert...

Hier ist Frank Sinatras Interpretation von The Best Is Yet To Come, die er mit dem Count Basie Orchestra unter der Leitung von Quincy Jones aufgenommen hat. Dieser Chart ist ein echtes Sinatra-Markenz...

Bob Carleton schrieb 1918 eine kleine 16-taktige Melodie, als er noch ein Clubpianist in Illinois war. Die Melodie war kurzzeitig berühmt, verbrachte dann aber 35 Jahre in der Versenkung, bis Sonny Ro...

Drum Boogie war ein großer Hit für die Gene Krupa Band mit Irene Daye als Sängerin (und nicht mit seiner regulären Anita O'Day). Wir haben ein paar kleine Änderungen am Original vorgenommen - die Bläs...

Orchestral in nature, 'Ever Braver, Ever Stronger' was written in tribute to the American spirit in the aftermath of the 9/11 terrorist attacks. Features written out trumpet, flute, and clarinet solos...

Big Band Girl Vocal. Adapted by Jerry Sheppard for intermediate level ensemble from Natalie Cole's 'Unforgettable' album and in the same key. A really lively up tempo chart with a 'get up and go' feel...

Roll 'Em war eine sehr beliebte Nummer für die Goodman-Band, und das ansteckende Boogie-Feeling wird die Tänzer in Scharen auf die Tanzfläche locken. Unsere Version ist dem Goodman-Original treu, mit...

Dies ist einfach eine großartige Jump-Jive-Nummer, die durch das Glen Gray Orchestra berühmt wurde, und die nach unserem besten Wissen noch nie irgendwo veröffentlicht wurde. Wenn Ihre Band für ein ta...

Very pretty, and unique piece for big band. Brass and saxes acapella throughout, with drums on sus cymbal. A 4-minute jazz chorale, conductor not a necessity. Recorded by Ryan Haines Big Band on 'To T...

Slow blues opening w/Piano solo into Dbl. time feel band soli. French horn solo & Bb solo changes include. Trpt written to high F, No Dbl.. Written for full band & French horn, Tuba.

Celebration, a 4-movement suite, was written for and premiered by Gerry Mulligan at the Schleswig-Holstein Musik Festival in Lübeck, Germany in 1994. Recorded by Bob Brookmeyer and the New Art Orchest...

Celebration, a 4-movement suite, was written for and premiered by Gerry Mulligan at the Schleswig-Holstein Musik Festival in Lübeck, Germany in 1994. Recorded by Bob Brookmeyer and the New Art Orchest...

Celebration, a 4-movement suite, was written for and premiered by Gerry Mulligan at the Schleswig-Holstein Musik Festival in Lübeck, Germany in 1994. Recorded by Bob Brookmeyer and the New Art Orchest...

Prism is a modal composition which is based largely on several reharmonizatios of a simple 8-bar melody. It is a jazz waltz and features the lead alto sax. Correlated with Vol. 1 of the Jazz Workshop...

Two tenors are featured soloists w/trading choruses. Some sax dbls. Recorded by Bob Florence Limited Edition on Soaring on Sea Breeze Jazz.

Nice/easy 16 bar minor blues. 128 feel. Ensemble melody, bone solo. Some sax dbls.

Bob Curnow has taken the brilliant arrangements done for the Stan Kenton Orchestra by Ralph Charmichael and created a medley of fresh, modern versions containing Angels We Have Heard on High, The Holl...