Anspruchsvolle Noten von Baton Music
Madama Butterfly ist eine Oper in drei Akten von Giacomo Puccini, mit einem italienischen Libretto von Luigi Illica und Giuseppe Giacosa. Sie basiert auf der Kurzgeschichte "Madame Butterfly" (1898) v...
Madama Butterfly ist eine Oper in drei Akten von Giacomo Puccini, mit einem italienischen Libretto von Luigi Illica und Giuseppe Giacosa. Sie basiert auf der Kurzgeschichte "Madame Butterfly" (1898) v...
- Blasorchester
- Partitur und Stimmen
- Christiaan Janssen
- Baton Music
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Madama Butterfly ist eine Oper in drei Akten von Giacomo Puccini, mit einem italienischen Libretto von Luigi Illica und Giuseppe Giacosa. Sie basiert auf der Kurzgeschichte "Madame Butterfly" (1898) v...
Madama Butterfly ist eine Oper in drei Akten von Giacomo Puccini, mit einem italienischen Libretto von Luigi Illica und Giuseppe Giacosa. Sie basiert auf der Kurzgeschichte "Madame Butterfly" (1898) v...
- Blasorchester
- Partitur
- Christiaan Janssen
- Baton Music
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
- Blasorchester
- Partitur und Stimmen
- Marco Tamanini
- Baton Music
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Die Zauberflöte isn"t a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
Die Zauberflöte isn"t a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
- Blasorchester
- Partitur
- Marco Tamanini
- Baton Music
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Rienzi, der Letzte der Tribunen (WWV 49) (Rienzi, the Last of the Tribunes) is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Bulwer-Lytton's novel of t...
Rienzi, der Letzte der Tribunen (WWV 49) (Rienzi, the Last of the Tribunes) is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Bulwer-Lytton's novel of t...
- Blasorchester
- Partitur
- Douglas McLain
- Baton Music
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George Gershwin composed his "Cuban Overture" in July and August 1932. Originally was the work titled "Rumba" and was the result of a two-week holiday which Gershwin took in Havana, Cuba in February 1...
George Gershwin composed his "Cuban Overture" in July and August 1932. Originally was the work titled "Rumba" and was the result of a two-week holiday which Gershwin took in Havana, Cuba in February 1...
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- Partitur
- Douglas McLain
- Baton Music
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'Vorspiel und Liebestod' ist eine Konzertfassung der Ouvertüre und Isoldes Arie 'Mild und Leise' aus dem dritten Akt der Oper 'Tristan und Isolde' von Richard Wagner. Diese Fassung stammte vom Komponi...
'Vorspiel und Liebestod' ist eine Konzertfassung der Ouvertüre und Isoldes Arie 'Mild und Leise' aus dem dritten Akt der Oper 'Tristan und Isolde' von Richard Wagner. Diese Fassung stammte vom Komponi...
- Blasorchester
- Partitur und Stimmen
- Christiaan Janssen
- Baton Music
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The idea of a 'Hamlet overture' had first occurred to Tschaikowsky in 1876. However, by 1888 he had altered these plans when he was asked to write incidental music for a production of Shakespeare's pl...
The idea of a 'Hamlet overture' had first occurred to Tschaikowsky in 1876. However, by 1888 he had altered these plans when he was asked to write incidental music for a production of Shakespeare's pl...
- Blasorchester
- Partitur und Stimmen
- Jacques Claessens
- Baton Music
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The idea of a 'Hamlet overture' had first occurred to Tschaikowsky in 1876. However, by 1888 he had altered these plans when he was asked to write incidental music for a production of Shakespeare's pl...
The idea of a 'Hamlet overture' had first occurred to Tschaikowsky in 1876. However, by 1888 he had altered these plans when he was asked to write incidental music for a production of Shakespeare's pl...
- Blasorchester
- Partitur
- Jacques Claessens
- Baton Music
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Der französische Komponist Gabriel Fauré (1845-1924) komponierte sein "Requiem in d-Moll", op. 48, zwischen 1887 und 1890. Es wurde die bekannteste seiner großen Kompositionen. Das siebensätzige Werk...
Der französische Komponist Gabriel Fauré (1845-1924) komponierte sein "Requiem in d-Moll", op. 48, zwischen 1887 und 1890. Es wurde die bekannteste seiner großen Kompositionen. Das siebensätzige Werk...
- Blasorchester (mit Soli und Chor)
- Partitur und Stimmen
- Bruno Peterschmitt
- Baton Music
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Der französische Komponist Gabriel Fauré (1845-1924) komponierte sein "Requiem in d-Moll", op. 48, zwischen 1887 und 1890. Es wurde die bekannteste seiner großen Kompositionen. Das siebensätzige Werk...
Der französische Komponist Gabriel Fauré (1845-1924) komponierte sein "Requiem in d-Moll", op. 48, zwischen 1887 und 1890. Es wurde die bekannteste seiner großen Kompositionen. Das siebensätzige Werk...
- Blasorchester (mit Soli und Chor)
- Partitur
- Bruno Peterschmitt
- Baton Music
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Mozart komponierte die 'Krönungsmesse' 1779 als'Missa brevis'; es ist eine der beliebtesten seiner 17 Vertonungen des Messordinariums. Ihren Beinamen erhielt die Messe erst im 19. Jahrhundert, da sie...
Mozart komponierte die 'Krönungsmesse' 1779 als'Missa brevis'; es ist eine der beliebtesten seiner 17 Vertonungen des Messordinariums. Ihren Beinamen erhielt die Messe erst im 19. Jahrhundert, da sie...
- Blasorchester (mit Soli und gemischtem Chor (SATB))
- Partitur und Stimmen
- Davide Donazzolo
- Baton Music
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Mozart composed The Coronation Mass (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the "Ordinary of the Mass". This setting, like the majority of Mozart's ma...
Mozart composed The Coronation Mass (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the "Ordinary of the Mass". This setting, like the majority of Mozart's ma...
- Blasorchester (mit Soli (SATB) und Chor)
- Partitur
- Davide Donazzolo
- Baton Music
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Brahms composed this festive overture in 1879 as a gesture of gratitude to the University of Breslau for the honourary doctorate in philosophy it granted him. He incorporated a number of student songs...
Brahms composed this festive overture in 1879 as a gesture of gratitude to the University of Breslau for the honourary doctorate in philosophy it granted him. He incorporated a number of student songs...
- Blasorchester
- Partitur und Stimmen
- Jos van de Braak
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Brahms composed this festive overture in 1879 as a gesture of gratitude to the University of Breslau for the honourary doctorate in philosophy it granted him. He incorporated a number of student songs...
Brahms composed this festive overture in 1879 as a gesture of gratitude to the University of Breslau for the honourary doctorate in philosophy it granted him. He incorporated a number of student songs...
- Blasorchester
- Partitur
- Jos van de Braak
- Baton Music
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Glinka (1804-1857) was the founder of the national school of Russian music and as such his compositions are often based on Russian folk music. This is also applicable to 'Kamarinskaja', for which he u...
Glinka (1804-1857) was the founder of the national school of Russian music and as such his compositions are often based on Russian folk music. This is also applicable to 'Kamarinskaja', for which he u...
- Blasorchester
- Partitur und Stimmen
- Jos van de Braak
- Baton Music
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Glinka (1804-1857) was the founder of the national school of Russian music and as such his compositions are often based on Russian folk music. This is also applicable to 'Kamarinskaja', for which he u...
Glinka (1804-1857) was the founder of the national school of Russian music and as such his compositions are often based on Russian folk music. This is also applicable to 'Kamarinskaja', for which he u...
- Blasorchester
- Partitur
- Jos van de Braak
- Baton Music
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A miniature symphony by the Czech composer Antonin Dvorak (1841-1904) in a highly programmatic style. The work consists of four movements played without interruption and is based on The Noon Witch sto...
A miniature symphony by the Czech composer Antonin Dvorak (1841-1904) in a highly programmatic style. The work consists of four movements played without interruption and is based on The Noon Witch sto...
- Blasorchester
- Partitur und Stimmen
- Erik Somers
- Baton Music
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A miniature symphony by the Czech composer Antonin Dvorak (1841-1904) in a highly programmatic style. The work consists of four movements played without interruption and is based on The Noon Witch sto...
A miniature symphony by the Czech composer Antonin Dvorak (1841-1904) in a highly programmatic style. The work consists of four movements played without interruption and is based on The Noon Witch sto...
- Blasorchester
- Partitur
- Erik Somers
- Baton Music
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In the final part Maestoso of the Second Symphony in c minor (1901), Scriabin wanted to bring to sound the radiant triumph of men over life's obstacles and defeats. His striving was a concept so simpl...
In the final part Maestoso of the Second Symphony in c minor (1901), Scriabin wanted to bring to sound the radiant triumph of men over life's obstacles and defeats. His striving was a concept so simpl...
- Blasorchester
- Partitur und Stimmen
- Jos van de Braak
- Baton Music
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In the final part Maestoso of the Second Symphony in c minor (1901), Scriabin wanted to bring to sound the radiant triumph of men over life's obstacles and defeats. His striving was a concept so simpl...
In the final part Maestoso of the Second Symphony in c minor (1901), Scriabin wanted to bring to sound the radiant triumph of men over life's obstacles and defeats. His striving was a concept so simpl...
- Blasorchester
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- Jos van de Braak
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In the Adagio of Dvorak's eighth symphony, there is a masterly alternation of minor-and major-mode themes picturing an old castle in his proud and melancholic aspects. (Concert Band)
In the Adagio of Dvorak's eighth symphony, there is a masterly alternation of minor-and major-mode themes picturing an old castle in his proud and melancholic aspects. (Concert Band)
- Blasorchester
- Partitur und Stimmen
- Jos van de Braak
- Baton Music
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In the Adagio of Dvorak's eighth symphony, there is a masterly alternation of minor-and major-mode themes picturing an old castle in his proud and melancholic aspects. (Concert Band)
In the Adagio of Dvorak's eighth symphony, there is a masterly alternation of minor-and major-mode themes picturing an old castle in his proud and melancholic aspects. (Concert Band)
- Blasorchester
- Partitur
- Jos van de Braak
- Baton Music
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The last movement, Allegro ma non troppo, of Dvorak's eighth symphony starts with a Trumpet fanfare followed by the dark coloured main theme that dominates throughout the piece: either in its slow lyr...
The last movement, Allegro ma non troppo, of Dvorak's eighth symphony starts with a Trumpet fanfare followed by the dark coloured main theme that dominates throughout the piece: either in its slow lyr...
- Blasorchester
- Partitur und Stimmen
- Jos van de Braak
- Baton Music
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The last movement, Allegro ma non troppo, of Dvorak's eighth symphony starts with a Trumpet fanfare followed by the dark coloured main theme that dominates throughout the piece: either in its slow lyr...
The last movement, Allegro ma non troppo, of Dvorak's eighth symphony starts with a Trumpet fanfare followed by the dark coloured main theme that dominates throughout the piece: either in its slow lyr...
- Blasorchester
- Partitur
- Jos van de Braak
- Baton Music
-
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Lieferzeit 1-2 Wochen
- Auch als Download verfügbar!