Anspruchsvolle Noten von G. Schirmer

For unaccompanied cello.

Commissioned by the Chicago Symphony Orchestra in 1988. First performance was by YoYo Ma with the CSO in February of 1990. Duration: ca. 28 minutes.

For cello and orchestra (piano reduction).

Composed in 1895, this Concerto includes a tense Allegro, a graceful Adagio ma non troppo and a fiendishly difficult and dramatic Finale. This is a Great Performer's Edition, edited by cellist Janos S...

This work is universally and perhaps more commonly known as the 'Archduke' Trio because it is dedicated to the composer's patron Archduke Rudolph. Beethoven actually considered the Piano Trio in B fla...

Work for Woodwind Quintet composed in 1958.

Quintet for Winds was composed in 1978 for the Aulos Quintet, on commission from the Naumburg Foundation. The piece especially emphasizes mixtures and doublings. Duration c. 23 minutes.

In 1937, Schoenberg wrote of this Violin Concerto 'It is extremely difficult, just as much for the head as for the hands. I am delighted to add another 'unplayable' work to the repertoire. I want the...

Although in its own way an example of 'continuous' music, Shaker Loops differs from most other works of its kind because it sees so much change within a relatively short amount of time. Also it avoids...

Great Performer's Edition.

For Violin and orchestra (piano reduction).

Concerto composed for Pablo de Sarasate in 1880.

For violin and orchestra (piano reduction).

For violin and orchestra (piano reduction).

Violin/Piano reduction of the work for Violin and Orchestra composed in 1878. Edited by Erfrem Zimbalist.

For violin and orchestra (piano reduction).

Great Performer's Edition.

This work is shorter than the other violin sonatas, and a few of its parts and suggested themes were used in organ and other earlier pieces.

Violin/Piano reduction of this work for Violin and Orchestra composed for Pablo de Sarasate in 1880. Edited by Efrem Zimbalist.

First Movement of Niccolo Paganini's Violin Concerto No. 1 In D, which has been freely transcribed for modern concert performance, and supplied with a Piano accompaniment by August Wilhelmj.

Revised with Cadenzas by Sam Franko.

Study-version and preface by Harold Berkley.

Four virtuosic Encores by Paganini as played by the famous violinist Ruggiero Ricci and, of course, Paganini himself. Ideal for ending a concert with a real flourish! Includes a 'Duet for Solo Violin'...

The American modernist composer George Antheil was known in his time for his 'futuristic' compositions, and is now regarded as one of the first composers to go 'beyond Stravinsky' in sound experimenta...

This was the forerunner of the 'Romance for Violin and Orchestra'. The Piano introduces the main theme in sweet, gentle, somewhat Brahmsian tones, after which the Violin takes it up with a graceful li...