Anspruchsvolle Noten von Walrus Music Publishing

As recorded on John Daversa's 'Live at Catalina's', this is a jazz ballad enabling a sensitive jazz trumpet solo. There is an a cappella development section for the winds that alludes to classical sen...

(1982 rev. 1998) 3/4 Ballad. Flugelhorn feature. Commissioned in 1983 by the Fresno City College Jazz Ensemble. All woodwinds double on flute. Top trumpet note: written high C.

Flugelhorn feature. Tempos: Ballad, medium swing, fast swing. Meaty sax soli.

Ballad. Passing Giants was written in April of 1984. The deaths of Count Basie, Red Garland and Juan Tizol that month provoked the realization that so many of the innovators and heroes of jazz were pa...

This arrangement features the alto sax in a ballad and swing combination. Recorded by the Maynard Ferguson band, the lyrical theme will become one of your favorites.

Ballad featuring alto sax, and some integral ensemble backgrounds. Begins with a rubato section for alto and piano. Solo section moves to double time swing, followed by a swingin' ensemble soli. Retur...

This is a short feature for lead alto. It starts as a ballad with the soloist interweaving figures around a lush brass chorale. Later the hrmonic rhythm is doubles (2 changes to the bar instead of 1)...

Movement 4 of The Story of Langston. Opening with a horn coral this ballad features Flugelhorn and Baritone. Many colour shifts take place harmonically creating a fulfilling tension and release that m...

Bone feature ballad waltz. Lush backgrounds provide an ideal canvas to showcase your trombonists full sound and a swinging double time solo section showcases his chops. Scored for Alto, Tenor, Bari, 2...

Gerry Mulligan's composition 'A Ballad,' originally done on the same 1953 session as 'Westwood Walk,' has a George Shearing-esque piano-guitar-bass statement on the theme, which is then handled with w...

A medium tempo trumpet blues in B flat feature, starting with cup mute then plunger then open. Woodwinds are clarinets and bass clarinet switching to saxes. As recorded by George Graham Big Band 'With...

Funk-blues feel, features guitar. No doubles. Medium difficult.

This blues with a bridge intertwines a number of 'Gershwin-esque' themes. Solos for tenor and trumpet. Lead also doubles flute and lead tenor doubles soprano. Some drum solo space at the end. An up te...

This was originally written for a band with two drummers to feature but there's an additional part for just one to play the whole chart. It's an up tempo modal tune but it's kind of a blues form and t...

This is a fast blues that features Tenor, Trumpet, and piano. With lots of textural variations, it leaps out of the starting gate and never stops. Trumpet D, Trombone C.

A 'git down' shoutin' blues in the style of Woody Herman's 'Greasy Sack Blues.' Some nice dynamic shadings contrast with a hot shout chorus and plenty of solo space. Has a laid back blues feel to it....

This is a kind of knock-down-drag-out blues in A-flat major that features solos by piano and trombone. In a medium fast swing tempo (quarter note =160), the chart is somewhat typical of the so-called...

Discommotion is a medium up-tempo (quarter note=176) blues in B-flat that really shouts for 4 minutes and 55 seconds. Reminiscent of big band jazz from the 1960's, it might be called a sort of 'Off-Ba...

Originally written to feature legendary veteran bassist Earl May, longtime member of Frank Foster's Loud Manority big band rhythm section, this chart is perfect for the big band bassist who rarely tak...

Tomorrow's Blues Today is a somewhat different kind of 'blues.' While it employs the normal 12-bar chorus format, it uses minor seventh chords insted of major or dominant chords in the first eight mea...

2nd trombone is featured throughout this arrangement, opening with the melody written out for solo trombone playing funky using the plunger (ala the late Al Grey), then unison trumpets take over doing...

A medium-up-tempo B-flat blues featuring 1st tenor sax throughout (originally written to feature tenor sax star Bill Saxton). The brief ensemble introduction is followed by unison saxes in the opening...