Antonio Vivaldi Noten für gemischten Chor

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...

This Baroque opera chorus from Vivaldi's La fida ninfa was first heard at the grand opening of the Teatro Filarmonico in Verona, Italy. Available for 2- and 3-part choirs, this edition includes buoyan...

This Baroque opera chorus from Vivaldi's La fida ninfa was first heard at the grand opening of the Teatro Filarmonico in Verona, Italy. Available for 2- and 3-part choirs, this edition includes buoyan...

Bearbeitet für Soli, Chor und Orgel.

Bearbeitet für Soli, Chor und Orgel.

Das berühmteste von mehreren Vivaldi-Werken mit dem Titel Gloria (RV 589) wird in dieser Ausgabe von Clayton Westermann mit einem kurzen Vorwort versehen, das die Aufführungspraxis erläutert. Von den...

Antonio Vivaldi (1678-1741) schrieb zahlreiche Fassungen des Magnificat-Kantikels in g-Moll, wobei er im Laufe seiner jahrzehntelangen Tätigkeit als Musikdirektor des Ospedale della Pietà, eines Waise...

For SATB Chorus and Orchestra. English and Latin Text.

A little bit of Mozart, a sprinkle of Bach ,and a touch of Pachelbel together with many of our most beloved Christmas selections are the perfect ingredients for a delightfully musical holiday selectio...

From Vivaldi's ever-loved Gloria, this is the joyous opening movement and a fine choice for high concert or festival. Latin and English texts. Available: SATB, SAB, SSA, TTBB.

The first chorus of Vivaldi's Beatus Vir Also available: Paratum Cor Ejus (HMC180), In Memoria Aeterna (HMC179), and Gloria Patri (HMC178)

Final chorus from Vivaldi's Beatus VirAlso available: Beatus Viv (HMC177), Paratum Cor Ejus (HMC180), and In Memoria In Aeterna (HMC179).

The third chorus from Vivaldi's Beatus Vir produces an atmosphere of floating transparencyAlso available: Beatus Vir (HMC177), Paratum Cor Ejus (HMC180), and Gloria Patri (HMC178)

The second chorus from Vivaldi's Beatus Vir is a thought (and discussion) provoking piece Also available: Beatus Vir (HMC177), Paratum Cor Ejus (HMC180), and Gloria Patri (HMC178)

Erleben Sie einen der strahlendsten Höhepunkte der barocken Chormusik: Antonio Vivaldis weltberühmtes „Gloria RV 589“. Mit seiner mitreißenden Festlichkeit, virtuosen Chorsätzen und tief berührenden l...

Coro SATB, 2 Vl, Va, Bc

Soli SATB, Coro SATB/SATB, 2 Orch: 2 Ob, 2 Tr, 2 Vl, Va, Bc, [Timp]

Soli SSAT, Coro SATB, 2 Ob, Tr, 2 Vl, Va, Bc

GLORIA is a setting of the hymn of praise from the traditional Latin Mass. The work is divided into twelve seperate movements, which include eight choruses, one aria for soprano, two arias for alto an...

GLORIA is a setting of the hymn of praise from the traditional Latin Mass. The work is divided into twelve seperate movements, which include eight choruses, one aria for soprano, two arias for alto an...

A straightforward Latin text and well-written vocal parts give many opportunities to develop choral techniques, impress adjudicators, and wow audiences. Add the optional flute and cello parts to enhan...

A straightforward Latin text and well-written vocal parts give many opportunities to develop choral techniques, impress adjudicators, and wow audiences. Add the optional flute and cello parts to enhan...