Barbershop Noten für gemischten Chor

This second volume contains two alto cantatas and three cantatas and an aria aria for soprano by José de Nebra (1702-1768), organist and then vicemaestro of the Royal Chapel in Madrid. The cantata Obe...

We have published in these volumes sacred works by the famous harpist and composer Juan Hidalgo Polanco (1614-1685). The present volume contains tonos or villancicos for one, two, three and four voice...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

The Requiem mass for three choirs with violins and flutes is one of the few preseved works for large ensemble composed by Sebastián Durón. Like in other works by Duron, the instruments are mixed with...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

We have published in these volumes sacred works by the famous harpist and composer Juan Hidalgo Polanco (1614-1685). The present volume contains tonos or villancicos for one, two, three and four voice...

The mass «a la moda francesa» by Sebastián Durón was composed probably during the first years of the 18th century. It could be composed to please the new Borbon king, Philip V, after his accession to...

The Mass «a la moda valenciana» by Sebastián Durón is written for 10 voices distributed in three choirs. The first choir is for two soloists sopranos. Precisely, the epigraph «a la moda valenciana» se...

Although Antonio Literes is mainly known for his theatre music, we know that he composed abundant religious music for the Royal Chapel in Madrid, as witnessed, for example, by the works preserved in t...

José de Nebra was born in Calatayud in 1702. At the age of 17 he was already working in Madrid as organist at the Monastery of the Descalzas Reales. In the 1720s he began to compose for Madrid's publi...

With this volume we begin the edition of the great Latin sacred works by José de Torres (ca. 1670-1738), organist and then chapel master of the Royal Chapel of Madrid. The Laetatus sum a 5 «sobre los...

We publish in this collection the villancicos and cantatas al Santísimo by Francisco Corselli (1705-1778), chapelmaster of the Royal Chapel of Madrid. Each volume includes cantatas for a solo voice -s...

We have published in these volumes sacred works by the famous harpist and composer Juan Hidalgo Polanco (1614-1685). The present volume contains tonos or villancicos for one, two, three and four voice...

Gabriel Urbaine Fauré (1845-1924) war einer der bedeutendsten französischen Komponisten seiner Generation, und sein Musikstil beeinflusste viele Komponisten im 20. Jahrhundert. 1881 komponierte Fauré...

Die Kantate " Wie schön leuchtet der Morgenstern" (BWV 1) entstand zum 25. März 1725, an dem das Fest Mariae Verkündigung mit Palmsonntag zusammenfiel. Sie bildet den Abschluss des Bachschen Choralkan...

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe

Kantate zum Sonntag Sexagesimae (Leipziger Fassung) (deutsch/englisch) nach der Neuen Bach-Ausgabe. Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Fagott, Viola (...

Kantate zum Sonntag Sexagesimae (Leipziger Fassung). Gemischter Chor-SATB - Chorpartitur

Kantate zum Sonntag Sexagesimae (Leipziger Fassung). Gemischter Chor-SATB - Chorpartitur

Die Kantate "Ich hatte viel Bekümmernis" entstand um 1713 und wurde vom Komponisten vermutlich im selben Jahr an der Liebfrauenkirche in Halle erstmalig aufgeführt. Die Zuordnung zum dritten Sonntag n...

Kantate zum 1. Ostertag (Weimarer und Leipziger Fassung). Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, 1 (3) Ob, (Englischhorn, Fagott), Trompete (3), Pauke, Streicher, Basso continuo

Johann Sebastian Bachs Kantate "Der Himmel lacht! Die Erde jubilieret" BWV 31 entstand in Weimar für den Sonntag des 21.April 1715. Der Text von Salomon Franck knüpft eng an das Osterevangelium an. ln...