Barbershop Noten für gemischten Chor

Moved by the horrific Orlando night club shooting in June of 2016, Ellingboe set this poem to music as an outpouring of grief, yet also of hope, that all is not lost and that, indeed, This Is A Good W...

Moved by the horrific Orlando night club shooting in June of 2016, Ellingboe set this poem to music as an outpouring of grief, yet also of hope, that all is not lost and that, indeed, This Is A Good W...

Written to invoke the feeling of a simple, old-fashioned holiday carol or hymn. This brief, two-verse tune invites all people to bring to mind thoughts and remembrances of the season and to reflect on...

Written to invoke the feeling of a simple, old-fashioned holiday carol or hymn. This brief, two-verse tune invites all people to bring to mind thoughts and remembrances of the season and to reflect on...

Commissioned by a consortium of choruses including Chanticleer, The Dale Warland Singers, and The Phoenix Bach Choir, this beautiful a cappella setting of Psalm 86 is a delicate powerhouse. In the tex...

Commissioned by a consortium of choruses including Chanticleer, The Dale Warland Singers, and The Phoenix Bach Choir, this beautiful a cappella setting of Psalm 86 is a delicate powerhouse. In the tex...

Jazz musician, Tedd Firth, has created this new arrangement of the classic melody and text for Judith Clurman and her professional choir Essential Voices USA. Beginning with a lush, a cappella opening...

Written as a companion piece to the 40 voice Renaissance motet by Thomas Tallis Spem in Alium, this music is spatial and conceived with reverberant acoustics in mind. Each of the 3 choirs is made up o...

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Für 4-st. gem. Chor a cappella oder mit Klavier bzw. Rhythmusgruppe.

Für 4-st. gem. Chor a cappella oder mit Klavier bzw. Rhythmusgruppe. Partitur Chor mit Begleitung.

Volksweisen für 4-stimmigen gemischten Chor a cappella

The shades of Finzi and Vaughan Williams are strongly present in these three delightful unaccompanied choral settings, and yet the style and execution are wholly Rutter's own.

This is an energetic setting of a medieval text, with a modal feel and lively rhythms. After opening with an unaccompanied melody sung by the sopranos, the music gradually becomes more intricate, culm...

For SSATB unaccompanied - This setting of a poem by William Blake is evocative and appealing. Jackson ingeniously offsets simple, pure harmonies against moments of chromaticism to create beautiful, fr...

für SSATBarB unbegleitet. Dies ist eine eindrucksvolle Vertonung eines Gedichts von Gilbert Keith Chesterton, die durch antiphonale Wechsel zwischen Ober- und Unterstimme und reiche, sich ständig verä...

Originally published in the New Horizons collection The Ivy and the Holly, this carol has a mysterious, other-worldly character that complements the sixteenth-century text attributed to the Wedderburn...

This important Requiem demonstrates Gabriel Jackson's gift for writing mesmerising choral music on a large scale. Combining sections of the traditional Requiem text with poems from other cultures and...

For SATB unaccompanied - Setting a contemporary poem by Kevin Crossley-Holland, The Heart-in-Waiting is a rich, expressive carol with sonorous chords and a deep, rich sound. Ideal for mixed-voice choi...

Combining a number of early lullaby texts in one setting, Adam and the Mother is a haunting carol recalling the fall of Adam. It combines irregular melodic lines with lilting ostinato passages and wil...

This unaccompanied carol is scored for four equal parts and comprises a sequence of three rounds. Rhythmic and engaging, this carol demonstrates the distinctive clarity of Skempton's musical language....

I saw three ships is a lively setting of the traditional English text for unaccompanied mixed voices. A simple melody, swapped between the outer voices and answered by altos and tenors, gradually buil...

This gentle carol sets a well-known text, 'Balulalow', that paints an image of Mary singing a lullaby to Jesus. Bullard's gentle sways and lilting rhythms reflect the story, while soft dynamics and wa...