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Der Mega-Hit der Schweizer Band Hecht erlebt jetzt als Party-Version von Tobee einen steilen Aufstieg… Und jetzt alle: Solang ich noch Luft in meiner Lunge hab, brennt mein Herz für dich lichterloh. D...

From 'Rock Swings'. A particularly fine slow ballad which provides an excellent contrast to the more up tempo charts, with choral style writing for the horns. Strings on separate synth part.Key A-Bb K...

This Rodgers and Hart standard has been recorded countless times and remains a popular choice for singers and instrumentalists alike. Mark's lush setting can also be used as a tenor sax feature and in...

Grades 3-4. (Nowak) Bb

This is a contemporary and funky-ballad treatment of this classic vocal. The key is D minor, the vocal range is A below middle C to 2nd space A. The instrumental parts are very reachable with lead tru...

Der Hit Ladies Night, der 1979 auf dem gleichnamigen Album von Kool & the Gang veröffentlicht wurde, ist bis heute ein Erfolg. Besungen wird hier die beliebte Aktion von Bars und Clubs, durch die soge...

Best known for his work with the Bill Evans Trio - as well as luminaries such as Billie Holiday, Benny Goodman, and Stan Getz - Chuck Israels is also a masterful composer and arranger. Here is his voc...

Diese Standardmelodie aus dem Jahr 1945 ist bei Jazzmusiker:innen nach wie vor sehr beliebt. Mit einer zeitlosen Melodie, wunderschönen Begleitstimmen im mittelschweren Swing-Stil gehört diese herausr...

Dieses swingende Arrangement für Gesang und Jazzband, das ursprünglich für das französische Musical "The Umbrellas of Cherbourg" komponiert und von vielen großen Künstlern wie Connie Francis und Chér...

This familiar standard, first popular in the '20s and '30s, has been revisited over the years in a variety of styles. Here is an attractive, smooth samba version for vocal solo (opt. tenor sax) that i...

A great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombo...

AS RECORDED BY CARMEN MCRAE ARRANGED BY JACK PLEIS, TRANSCRIBED AND ADAPTED BY SYD POTTER This great cha cha arrangement was recorded by Carmen McRae on February 21, 1955 with the Jack Pleis Orchestra...

Unsere Version, die durch Dean Martin berühmt wurde, kommt der Version von Rosemary Clooney nahe, die sie mit dem Perez Prado Orchestra aufgenommen hat. Es handelt sich um einen entspannten Gesang mit...

Ary Barroso komponierte hunderte von Sambas - eine davon war Aquarela do Brazil. Die Samba ist für Ihre Big Band-Besetzung optimal!

From the album 'Rock Swings' a laid back medium groove classic Basie style chart which steadily builds to a powerful final chorus. Key: G Vocal range: G - Bb Trumpet range: Eb Trombone range: G

True, by Gary Kemp, was the title track on Spandau Ballet's 1980's album of the same name and was a worldwide hit. To just say that this arrangement is 'Basie Style' does not do it justice. It is quit...

Adapted from his Grammy winning arrangement for Queen Latifah, here is a smokin' swing chart that features a relaxed vocal line accompanied by absolutely blazing figures from the band. An exceptional...

The duet featured on the DVD 'Live At The Albert '. Key as recorded.

Famously recorded by Ella Fitzgerald with Louis Armstrong, here's a medium swinger from the early days of jazz that makes a perfect showcase for a charismatic vocal soloist (optional duet for female a...

Made popular recently thanks to a recording by Tony Bennett and Lady Gaga, this wonderful jazz standard from the '30s has also been featured on the TV show Glee. This up-tempo swing chart can be used...

This standard from the Big Band Era belongs in every band's library!

Grade 3-4 (Holmes) F

An oustanding classic to showcase your vocal soloist. In case no vocalist is available, the solo part is also provided for tenor sax.

Grades 3-4. (Holmes)

An easy-to-play swing chart with no solos, lots of full ensemble, a shout chorus and it's all very easy to rehearse and perform. The vocal range is from G below the staff to second line G, treble clef...