Cesar Cui Klaviernoten

These Five Bagatelles For Piano by contemporary English composer John McCabe, are varied in their technical difficulty. They are suitable for the high intermediate to advanced student and would make p...

Two pieces from the score of the full-length ballet Edward II. The ballet iteslf was commissioned by the Stuttgart Ballet, and completed in 1995. The first performance took place in Stuttgart in April...

Home and Dry is a new collection of easy to moderate difficulty character pieces for piano duet from Brian Chapple, composer of the perennially-popular Lazy Days, In The Pink, and On The Cool Side.

The first performance of Two Scenes from Edward II arranged for piano-duet took place on 19th March 2013 at Bishopsgate Hall, London, for the City Music Society, played by Joe Tong and Waka Hasegawa.

Upon entering a painting was written in 2008/09, and it was commissioned, with funding from the Britten-Pears Foundation and the RVW Trust, by Piano 4 Hands (Joseph Tong and Waka Hasegawa), to whom it...

Trees Revisited was written for and premiered by Nigel Coxe in 1970. It belongs to a period when I was interested in borrowing, quoting and referring to earlier music and styles (this period includes...

A jazz/swing inspired suite of pieces in the form of the classical sonata from the composer of those continuously popular piano collections, In the Pink (CH60855), Lazy Days (CH55983) and On The Cool...

A collection of nine original Piano pieces, varying in mood and length, written to levels of accomplishment ranging from moderate to challenging. Brian Chapple studied at the Royal Academy of Music wi...

Epithalamium was commissioned by John Sell as a birthday present for his wife Jane, and is dedicated to her and to Malcolm Binns. It was written during summer 2006 and derived from the two great chord...

Fantasy On A Theme Of Liszt was written in 1967 for a Cheltenham Festival concert. The theme which lies behind the work is the opening tune of Liszt's Faust Symphony, though this is never heard in its...

The gap between starting to learn an instrument and playing 'real' music is a very great deterrent to many players. Consequently, Afternoons And Afterwards tries to tackle this problem for thePiano, w...

Arranged for solo piano, suitable for advanced pianists. First performed 1994 at the Harrogate International Festival. Duration 20 minutes.

Commissioned by the Scottish International Piano Competition for 2001, this piece exploits several kinds of pianistic sensibility, and pays tribute to Liszt and Dukas, who are both much admired by McC...