Noten für Chor und Gesang für alle Besetzungen

Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The baritones have fun with a scat bassline while the upper parts enjo...

This entertaining three-part arrangement of the popular sea shanty was written for Cambiata North West. The humorous lyrics are complemented by a jovial piano accompaniment and the piece includes seve...

Salisbury Vespers combines settings of the traditional Vespers psalms and anonymous early texts. Marian motets punctuate the psalm settings, and the work is concluded with a substantial setting of the...

This is a magical setting of a profound and impressionistic text by the contemporary poet A. D. Hope, which describes the burgeoning of the soul as though the heart itself is 'singing' from within the...

Diese wunderschöne Vertonung eines Textes von Ralph Waldo Emerson feiert die universelle Präsenz des Gesangs, den man an Orten der Schönheit, aber auch der Dunkelheit finden kann. Mit einprägsamen Mel...

Taken from the cantata Dona Nobis Pacem, this short movement is scored for SATB choir with a piano reduction of the orchestral parts. Material for the full orchestral version and an accompaniment for...

Dieses weltliche Werk für Oberstimmen vertont einfühlsam das gleichnamige Gedicht von Langston Hughes. Es zeichnet sich durch eine beschwingte melodische Linie, einen wortgewandten Satz und einen wirk...

Commissioned by the New Orlean's Children's Chorus for the 2005 Crescent City Festival, this work is to be performed 'cool but with a swing'.

With a text by the composer, this work was inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are subtly underpinned by a delicate...

This atmospheric and powerful Advent anthem is composed for SATB choir and organ, with a separate Soprano semi-chorus, and is ideal for institutions with two upper-voice choirs, one of which can (opti...

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

This piece, originally for SA choir, has been reworked for a SATB choir, and would suit a funeral or commemoration setting. It begins softly and in unison, until a sudden key change where the mood shi...

Arranged here for unison voices and piano, this uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A...

Utilizing the standard 3 movement sonata outline, Jackson employs a variety of textures to great effect in this piece. In the first movement alone, the music employs homophonic, unison, canonic and mo...

Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this enchanting carol. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody, in 6/8 metre,...

A short anthem setting the Lord's Prayer in the version of the text from the First Prayer Book, hence the unusual spelling. This was premiered at the Brighton Festival in 2012.

This lively piece draws on complex rhythms and dance elements and combines them with lyrical passages reminiscent of the haunting melodies of the Welsh folk tradition. The use of harmonics, open strin...

Whitbourn’s setting of Joseph Beaumont’s Epiphany oblation features a soaring melodic line over serene and delicate harmonies infused with suspensions and cluster chords. Offprinted from Carols for Ch...

Suzzie Vango's exuberant arrangement of Gaudete embellishes the charm of this well-known sixteenth-century carol with an accented rhythmic ostinato and playful changes of metre. A version for upper vo...

Die Konfrontation mit der Nacht ist wahrscheinlich das erste Mal, dass sich ein Kind verunsichert fühlt. Die vertrauten Umrisse des Schlafzimmers verschwinden in der Dunkelheit, das tröstende Gesicht...

Details: Sprecher, Kinderstimmen, Sopransaxophon in B (Baritonsaxophon in Es), Klarinette in B (Bassklarinette in B), Viola, Violoncello, Cembalo, Schlagzeug

Oldhams Vertonung der Laudes creaturarum wurde 1961 im Auftrag der Spode Music Week komponiert, einem 1954 gegründeten und immer noch bestehenden Festival mit Workshops. Während dieser Musikwochen tre...

Voix D Enfants A Capella