Noten für Chor und Gesang für alle Besetzungen

Swayne Giles Circle Of Silence for 6 Solo Voices. King's Singers Arrangement.

Lacrimae Amoris, scored for solo countertenor and men's voices, sets the words of Sir Walter Raleigh about a long-lost love, and an anonymous text concerning a dream of Mary weeping after the death of...

Part-Song for Men's voices. The words from the Greek Anthology translated by Alma Strettell. Includes piano part for rehearsal purposes.

Part-song for chorus of men's voices using words from the Greek anthology Marcus Argentarius translated by Richard Garnett.

A suite for 6 male voices, commissioned by the Joensuu Song Festival for the vocal sextet The King's Singers, who gave the first performance at Joensuu in June 1989. This exotic piece contains some of...

A series of the finest songs for close harmony TTBB singing, taken from the bestselling Novello Barbershop Songbook. Renowned vocal arranger Nicholas Hare has added helpful performance notes to each o...

Blue Moon, written by Richard Rodgers and Lorenz Hart in 1934, has had many treatments over the decades. Mel Tormé made a smooth hit version in the 1940s, Elvis Presley put it on his first album in 19...

The Lark In The Clear Air is a traditional Irish air. Since the 1800s, it has been associated with a poem by the Irish writer Sir Samuel Ferguson (1810-1886), one of the founding fathers of the Irishl...

Great Is Jehovah, The Lord (Die Allmacht; D 852) is a song, written by Franz Schubert in 1825 as the second half of his opus 79. It has been arranged for Tenor solo with Piano, Organ and Male VoiceCho...

Written for TTBarB and Piano (or Organ). Words adapted from psalms 81, 47, 68, 150 and 96. Composed for the Morriston Orpheus Choir.

For TTBB and piano. Words by Sir Walter Scott

For Men's Voices and Organ.

Arranged for TTBB chorus and Piano accompaniment. Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Roya...

For TTBB divisi chorus, wind chimes and optional Soprano saxophone (part available separately). I Saw Eternity was commissioned by, and is dedicated to, Hans-Joachim Lustig and Mannerstimmen der Chor...

Written for men's voices, set in TTBB voicings with piano accompaniment and option treble semichorus, this setting of Laurence Binyon and Moina Michael was commissioned by the Wessex Male Choir.

Eine Vertonung des Hohelieds 4,7-11 für Männerstimmen. Geschrieben für Sam Corkin und den Canterbury Cathedral Choir.