Noten für Chor und Gesang für alle Besetzungen

Palestrina's setting of the Marian motet Alma Redemptoris Mater seamlessly interweaves each of the four independent voices based on the solemn tone of the corresponding chant. Offprinted from The Oxfo...

Consisting of two sections, this large-scale Christmas motet opens with a rich homophonic texture that is synonymous with Victoria's compositions. This is followed by imitation in the vocal lines befo...

This Marian text for Eastertide, Regina caeli, was set four times by Morales. This setting for four voices was first published in the Spanish composer's 1543 collection and notated in high clefs. The...

Recent scholarship postulates that this anonymous motet for the Feast of the Assumption of the Blessed Virgin Mary was in fact written by Leonora d'Este, daughter of Duke Alfonso I and Lucrezia Borgia...

The opening of this motet displays Massaino's skill in the art of word-painting with soaring lines that play on the word 'arise' (Surge). Punctuated with occasional homophonic writing, the beautiful m...

für SSAA unbegleitet. Garden of Dreams besteht aus Textfragmenten von Sappho, übersetzt von Arthur Sanders Way und A. S. Kline. Sarah Quartel hat Kreuzrhythmen, Synkopen und fließende melodische Linie...

Setting inspiring words by James Weldon Johnson, this work is both poignant and stirring, encouraging singers and listeners to reflect on the challenges of present times and to move forward with coura...

Dieses Lied für A-cappella-Chor stellt den lateinischen Text einem Jubiläums-Spiritual gegenüber, das die Heiligen Drei Könige feiert, die den Stern sahen, der sie zum neugeborenen Kind führte. Die na...

This carol for a cappella choir juxtaposes Latin text with a jubilee spiritual celebrating the Magi who saw the star to lead them to the newborn child. The natural rhythmic energy is amplified by sync...

Heart of Earth enthält Auszüge aus Gedichten von Laura Purdie Salas, die reich an lebendigen Beschreibungen der natürlichen Welt sind. Rajasekar fühlte sich von diesen Texten angezogen, weil sie einen...

Marie-Claire Saindons Keeping Time for Joy spiegelt die Freude im Text der zeitgenössischen Schriftstellerin Sarah Windle in diesem erbaulichen Stück wider. Volkstümliche skalierte Melodien, die durch...

Dieses dreisätzige Werk, das den "Schwestern überall" gewidmet ist, kombiniert eine Reihe von Themen mit der Poesie von Sara Teasdale. Der erste Satz, "Sister of the Sky" (Schwester des Himmels), konz...

für SSAA unbegleitet Eine einfache und zarte Vertonung des berühmten Gedichts von William Blake, besonders geeignet für jüngere Stimmen.

For SSAA unaccompanied - The texts are translations of ancient Chinese poems.

SSA unaccompanied. These short, simple settings are suitable for choirs beginning to sing in parts. Each part is easy enough to be learnt by rote if necessary, and each setting is short enough for cho...

Eine rätselhafte weibliche Präsenz wirbelt in einer dunklen und beunruhigten Lautstärke, mit kurzen und scharfen Sätzen: Diese erste Hälfte von Florence Delays Gedicht "Ghost" ist wie ein unterdrückte...

Olli Kortekangas suite in four movements (text in Finnish) is suitablbe for juvenile choir.

Tre naturscener for descant choir (1976-77, rev. 2016) by Lars Karlsson is set to Gustaf Fröding's vivid poems in Swedish.

1. Noël provençal de Saboly (SATB chorus); 2. Noël ancien (SMzA chorus)

Composed in 2016 for the Maîtrise de Radio France, 'Ce n'était pas nous' for upper voices sets short poems by Antoine Thiollier which are at once playful and serious.

A collection of SSAA Barber Shop pieces.

This is classic American choral writing. Opens with a legato 'oo' passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.

This is classic American choral writing. Opens with a legato 'oo' passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.

An original work for 3-part choirs (mixed or treble) in an authentic madrigal style, complete with fa-la-la refrain. Opening section features independent vocal writing; 'B' section is homophnic. Class...