Noten für Chor und Gesang für alle Besetzungen

I Feel Like My Time Ain't Long is a mournful, yet hopeful, spiritual, beautifully arranged by Paul Christiansen. The text speaks of how we long for our heavenly home as our time on earth comes to a cl...

An all-time favorite on the well-known biblical text from John I. Available: SATB a cappella.

An intimate and emotional setting with varied dynamics and expressions, this spiritual makes an excellent choice for high school, college, professional or community choirs. Moderate. Available: SATB a...

How Come It Is So Hard To Be the Way You Are? This work by the countertenor of The Real Group is a humorous look at today's society. Available: SATTB a cappella. Performance Time: Approx. 4:00.

A wonderful spirited arrangement with a big festive ending, meant to make your choir shine. Available: SATB a cappella.

Originally a folk tune, this arrangement by University of Mississippi faculty member Raymond Liebau includes elements of jazz and blues. Available: SATB divisi a cappella. Performance Time: Approx. 3:...

The text of this work was written by a young junior high Irish boy who very soon after lost his life in a street shooting. And so the poem became the voice of all children, victims in a world of war a...

The second in a trilogy of anthems based on the writings of former U. N. Secretary General Dag Hammarskjold. Available: SATB divisi a cappella.

This song weaves interesting and challenging harmonies, describing young lovers in the moonlight. Available: SATB divisi a cappella.

French poet Guillaume Apollinaire's musing on lost love takes on a quintessential French sound. Easily accessible to a good high school choir. In French, with a singable English translation by Jon Was...

This stunning anthem carries the hallmark of Nance's melodic writing. Its soprano solo has the innocence of a boy soprano voice, complementing the bigger choral sound. Sung in Latin, the SATB divisi i...

The work was originally commissioned for Edina High School Girl's Choir and is now offered in a vibrant, intense and truly jubilant setting for SATB voices a cappella, incorporating all of the complex...

Masterfully arranged by Vancouver Chamber Choir conductor Jon Washburn, with cymbals and soft handclapping, the sensual but innocent tango melody in the choir gives an expressive background to a 'floa...

With its expanded meter to 5/4, this beautiful song from late 1400 in a setting by Jon Washburn creates a sense of space and timelessness like in a large cathedral. Great for good high school choirs o...

Based on Elgar's own piano transcription of his Enigma Variations, the rich harmonies and depth of expression of this setting with sacred text may be performed by a variety of choirs.

A modern arrangement of a traditional gospel tune, this is a swinging, fun piece for high school SATB. Comfortable vocal range for all parts. Great concert closer!

Set to an early 20th century poem by Sara Teasdale, this SATB work speaks of peace through the music of stillness holy and low... Stars I shall find. Lovely concert work for school or church. Unaccomp...

From Freedom Is In Your Hand, a new and powerful collection of songs of protest and praise.

Opening with a beautiful chantlike verse, this new arrangement of the familiar hymntune is a welcome addition to any choir's repertoire. The gently flowing musical line supports the worshipful first c...

From acclaimed New Zealand composer David Hamilton, this captivating setting of a poem by fellow New Zealander John Marsden will transport audiences to the southern hemisphere. As much a joy to perfor...

An engaging and energetic new offering from Vijay Singh, this piece encourages the audience to clap your hands. In Latin.

From the collection Freedom Is In Your Hand, this authentic South African freedom song is at home in multicultural concert settings. Great base for vocal improvisation. In Xhosa and English.

A fresh arrangement of the widely-known tune popularized by the film O Brother, Where Art Thou?, this work pays homage to the uniquely American tradition of shape-note singing. Works well as a process...