Noten für Chor und Gesang für alle Besetzungen

Introducing Four Shape Note singing to your young singers, this arrangement from the Sacred Harp is full of energy. Young singers will relate to positive message and they will be surprised that 19th c...

Introducing Four Shape Note singing to your young singers, this arrangement from the Sacred Harp is full of energy. Young singers will relate to positive message and they will be surprised that 19th c...

This jaunty little work on a text from William Shakespeare's Love's Labour's Lost, one of his earliest comedies. The tongue-in-cheek text talks of married life and the woe that comes from being unable...

This jaunty little work on a text from William Shakespeare's Love's Labour's Lost, one of his earliest comedies. The tongue-in-cheek text talks of married life and the woe that comes from being unable...

Commissioned by Earl Rivers and the CCM Chamber Choir with a text chosen to celebrate the 400th anniversary of William Shakespeare's death. Composer DiOrio has chosen Bass Clarinet, Violin and Vibraph...

The sensation of a young child, laying on their back and watching the snow gently fall is captured beautifully in this new piece by Dale Trumbore. Commissioned by Robert Bode and Choral Arts Northwest...

The sensation of a young child, laying on their back and watching the snow gently fall is captured beautifully in this new piece by Dale Trumbore. Commissioned by Robert Bode and Choral Arts Northwest...

This text by the Wedderburns is best known from Benjamin Britten's timeless A Ceremony of Carols. This setting serves as a manger lullaby, with the soprano soloist representing Mary.

This text by the Wedderburns is best known from Benjamin Britten's timeless A Ceremony of Carols. This setting serves as a manger lullaby, with the soprano soloist representing Mary.

This beautiful Latin text describes the journey of the Magi as they follow the star to Bethlehem. Composer Robert Sieving depicts this journey musically as he builds from mystical wonder to a fanfare...

Blending scholarship and practicality, this performing edition of a Palestrina masterpiece can be performed a cappella. Or, employing the optional instrumental parts for strings in C, Alto and bass cl...

Blending scholarship and practicality, this performing edition of a Palestrina masterpiece can be performed a cappella. Or, employing the optional instrumental parts for strings in C, Alto and bass cl...

Beginning with a sound-scape where the choir creates the sound of waves and wind, this is a piece for the most adventerous choirs. Once the mood is established, a single tenor voice begins the poem, f...

Moved by the horrific Orlando night club shooting in June of 2016, Ellingboe set this poem to music as an outpouring of grief, yet also of hope, that all is not lost and that, indeed, This Is A Good W...

Moved by the horrific Orlando night club shooting in June of 2016, Ellingboe set this poem to music as an outpouring of grief, yet also of hope, that all is not lost and that, indeed, This Is A Good W...

Commissioned by a consortium of choruses including Chanticleer, The Dale Warland Singers, and The Phoenix Bach Choir, this beautiful a cappella setting of Psalm 86 is a delicate powerhouse. In the tex...

Commissioned by a consortium of choruses including Chanticleer, The Dale Warland Singers, and The Phoenix Bach Choir, this beautiful a cappella setting of Psalm 86 is a delicate powerhouse. In the tex...

Jazz musician, Tedd Firth, has created this new arrangement of the classic melody and text for Judith Clurman and her professional choir Essential Voices USA. Beginning with a lush, a cappella opening...

Written as a companion piece to the 40 voice Renaissance motet by Thomas Tallis Spem in Alium, this music is spatial and conceived with reverberant acoustics in mind. Each of the 3 choirs is made up o...

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

The shades of Finzi and Vaughan Williams are strongly present in these three delightful unaccompanied choral settings, and yet the style and execution are wholly Rutter's own.

This is an energetic setting of a medieval text, with a modal feel and lively rhythms. After opening with an unaccompanied melody sung by the sopranos, the music gradually becomes more intricate, culm...