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This selection by Baroque composer Johan Helmich Roman, adapted in this edition for treble voices, is recommended for festival and contest programming for choirs in middle school and high school, as w...

Composed when he was only 10 years old, Emile Serper wrote this about his composition: It is my hope that this setting of Ave Maria may have a positive impact and be shared in many ways. After I heard...

Introduce your treble choirs to the Baroque/Classical style of the Italian composer Baldassare Galuppi with this adagio movement filled with sorrowful descending lines and ardent suspensions. An excel...

Uses: Call to Worship, Youth Choir Scripture: Psalm 118:24; Lamentations 3:23-23; James 1:17-18 Wake up to a brand new day with this fun song! With opportunities to feature a soloist, youth choir or p...

An expressive setting of the Collect for Compline, this short anthem for treble voices creates a reflective and spiritual mood for worship or sacred concert performances.

Your singers will love rehearsing and performing this rhythmic celebration based on traditional African music. Layered vocal lines, call and response and the vitality of the congas, claves and djembe...

This substantial work for treble voices begins with a bell-like piano introduction before launching into the buoyant 6/8 strains of the body of the work. Jubilant rhythms dance over the underlying pul...

From the Mozart Missa Brevis K. 275, this delightful work has been adapted for treble voices. An excellent introduction to Classical era style and performance practice!

Opening andante espressivo over a ground bass, this deeply emotional setting of the Agnus Dei is infused with hopefulness and warmth. Together with the companion movements Kyrie and Gloria, this work...

This anthem challenges listeners to find their place in the world and to embrace their special calling. A song of the journey, this winsome poem is set to the well-known Welsh tune CYMRAEG and is ador...

A truly dynamic interpretation of a wonderful French carol! Masters in This Hall, in its original form, is festive and full of life. This arrangement from Mark Hayes adds even more excitement! Unexpec...

Now available for SSA. This is an excellent example of Mozart's choral writing. Leavitt's editorial markings enhance the musicality of the work.

Accessible concert music with energy and excitement are the hallmarks of Rollo Dilworth's music. This is perfect for the concert stage or the sanctuary.

Following a short a cappella vocal fanfare, this exuberant work transitions into a lively 12/8 theme with full vocal textures and rich harmonies. The middle section is a contrasting slower 4/4 legato...

This lovely and expressive setting of the Kyrie with gently arching phrases and rich harmonic nuance will enhance concert programs and worship services for choirs from school through adult. Perform wi...

Commissioned for the 2012 London Olympics, this work for treble chorus is primarily wordless, apart from the short Latin phrase "Gloria in Londinium, invictus, invicta" to symbolize the coming togethe...

This expressive anthem presents the story of the Nativity through Mary's eyes, but foreshadows the journey to the cross that is to come. It is set in a reflective minor tonality and a gently rocking 6...

Blessed is he that comes in the name of the Lord. Set in an expressive 3/4 meter, the Latin text and carefully crafted vocal textures create a wonderful harmonic work. Ideal concert/festival use, it m...

Opening with a bright statement of the main theme with striking accents, dynamic contrasts and a pulsating rhythmic energy, this accessible work for treble voices transitions into a contrasting and mo...

This beautiful and moving Hebrew prayer is one of the most beautiful in all of Jewish litanies. As we sing we ask God to treat us with charity and kindliness and save us!. This arrangement is lush and...

Four movements from the end of the Passion section of Considering Matthew Shepard we hear from a deer. It has been well established that Matt loved the outdoors and it is fitting that a deer should si...

When Leonard Bernstein wanted to cleanse his pallet he studied Haydn. This chorus from Haydn's Heiligmesse is an ideal introduction to classical style and a wonderful vehicle for you as the director t...

Extracting two movements from the Baroque composer, Antonio Lotti's Requiem Mass, here are two authentic, Baroque anthems for treble choir. Intended to be performed as a pair, a piano accompaniment is...

Here is a setting of a Tagore text set for cello and treble voices. It was composed specifically for a Conspirate program called 'The Singing Guitar' featuring three works for guitar quartets and voic...