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This exquisite miniature combines old and new, with plainchant-like melodies and tonality set against expressively dissonant contemporary harmonies. It was recorded by The Epiphoni Consort on David Be...

This gentle, lilting anthem sets verses from the psalms that speak of devotion to and delight in the Lord. Bednall's sophisticated and appealing musical language gives colour and expression to the tex...

This majestic anthem sets verses from Isaiah. The choral parts are largely homophonic, except for an unaccompanied fugal central section and optional high soprano notes for added dramatic effect towar...

This partner antiphon to Bednall's Alma Redemptoris Mater is fast and joyful. This pair of antiphons compliments Howells's setting of the other Marian antiphons (Salve Regina and Regina Caeli). The ce...

Images of Peace is a work that encourages peace and understanding while not focussing on any particular creed or belief. Alan Bullard chooses texts from a range of sources, including the English metap...

This radiant setting of the popular 'O nata lux' text features sumptuous and sophisticated harmonies and accessible vocal lines. The anthem builds to a central climactic moment followed by a reprise o...

An atmospheric setting of Caliban's dream from The Tempest, this piece transports the listener to a dream-like place. McDowall's immersive harmonies and ornamentation perfectly characterise the reveri...

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...

'Peace in the world' is the expressive middle movement from Images of Peace , which is a cycle of five songs that encourage peace and understanding. Although composed for secular use, this beautifully...

In this ethereal, atmospheric setting of Canadian poet Marjorie Pickthall's 'Stars', Oliver Tarney displays great sensitivity to the poem's vivid imagery and employs an evocative harmonic language tha...

When spring comes walking is a warm and optimistic setting of an evocative poem by Charles Bennett that explores themes of rebirth, nature, and celebration. Chilcott embraces the return of spring with...

This simple, uplifting anthem is characterized by flexible rhythms that sensitively complement the metre of the text and a beautifully reflective set of Amens at its close.

In this haunting arrangement of the well-known carol, Higgins creates a mystical soundscape by layering a single motif in a four-part soprano canon. These repetitions echo throughout and support the v...

A lively sixteenth-century anthem based on Psalm 81.

Two of Stanford's finest partsongs for unaccompanied SATB voices.

Adapted from Pearsall's own eight-part madrigal 'Lay a garland' (also available from OUP), 'Tu es Petrus' is replete with fine polyphonic writing and rich, expressive sonorities, reflecting his enduri...

Composed in 1840, this popular eight-part madrigal is also in the anthology Madrigals and Partsongs. Replete with fine polyphonic writing and rich and expressive sonorities, it provides a fine example...

This beautiful and spacious Magnificat and Nunc Dimittis setting of the Canticle of Mary is pure Jackson. Alternating stripped back, plainchant-style sections with homorhythmic passages for full choir...

This secular work by John Rutter sets the text of Shakespeare's Sonnet No. 18. Rutter skilfully weaves the figurative language of the sonnet within the melodic lines of the music. Shakespeare's text i...

William Blake's poem, 'A Cradle Song', is brought to life in this elegant setting by Chilcott. The gentle, recurring melody is passed from sopranos to altos, supported by 'oo's and 'ah's in the lower...

This setting of A Spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...

This expressive piece is based on The Seven Sacred Virtues of the Lakota: the title describes a commitment to live by these values, the metaphorical 'red road', being a spiritual way of life. The unhu...

This rich arrangement of the second movement of Rachmaninoff's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a p...

Let all mortal flesh keep silence is a reflective, homophonic setting of text from the fourth-century Orthodox Liturgy of St James. Sheehan's setting, an original rather than the customary pairing wit...

This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...