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A new classic spiritual arrangement from one of the finest choral arrangers of our era, Mark Hayes. If you're familiar with Mark's work, then perhaps little more needs to be said. The harmonies are tr...

It's an original spiritual with a touch of the traditional I Want to Be Ready. It's fresh and singable, with solid part writing. And just when you think the exciting original melody is about to end, t...

Patrick Liebergen has taken a delightful chanson by Jacques Arcadelt and adapted it for contemporary singers while retaining the essential Renaissance feel of the work. Moderate ranges. An optional pi...

Another well-edited arrangement by Russell Robinson from the madrigal repertoire. Sung a cappella, or with the piano, the men's part spans only six notes in an easy range for changing voices. Charming...

Only Mark Hayes could so brilliantly transform this favorite spiritual into an thrilling new arrangement for your advanced choir. Each section takes its turn singing the vibrant melodic theme while ot...

With a text in Italian or English, clear choral phrasing, and excellent voice leading, this new voicing of the Renaissance classic is just right for SSA choirs. Informative performance notes and a pro...

It's hard to keep a straight face while singing this hilarious novelty arrangement for 'serious' choirs. Sung entirely on syllables which imitate the sounds of Rossini's original orchestral percussion...

A contemporary a cappella madrigal. Filled with traditional 'fa la la's' and resonant modern chords, Wintertime Cheer even includes a part for optional hand drum or tambourine. Jay Althouse's setting...

Bring the house down with this spectacular rendition of the widely-known Ezekiel Saw the Wheel by one of the most skilled arrangers of our time. Mark Hayes opens with a slow, soulful introduction and...

Rarely has Renaissance repertoire been this fun to sing or easy to identify with. Sung in English, French, or a combination of both, this playful tune pokes fun at gossiping and is best performed with...

Rarely has Renaissance repertoire been this fun to sing or easy to identify with. Sung in English, French, or a combination of both, this playful tune pokes fun at gossiping and is best performed with...

Show off the a cappella achievements of your advanced choir with this stunning tour-de-force by one of Alfred's best, Sally K. Albrecht. Half of the group chants a rhythmic ostinato accompanying the i...

There are several editions of this famous 16th century work, but none as well crafted as this one by Sherri Porterfield. The open score is easy to read and the editing is right on target for today's 3...

Sing we a song that takes but a minute. This clever a cappella original captures all of the character and charm of a true Renaissance madrigal and adds a touch of timeless (or rather, 'timed') humor....

SATB choirs, accompanied only by an optional snare-drum, will love singing this clever a cappella arrangement from Tchaikovsky's famous ballet. Easy to prepare with equal doses of unison singing, unco...

SATB divisi, a cappella. A must-have novelty number for choirs with a sense of humor! Offenbach's most famous overture has been skillfully arranged with familiar melodic themes that pass between secti...

Rhythmic vocal parts are added one by one over the bass section's walking line, creating a multi-layered a cappella arrangement that is uniquely satisfying to sing and equally exhilarating to hear. An...

Sung entirely on 'fa-la-la' and 'plum,' this novelty piece successfully transforms Tchaikovsky's orchestration into a light and lively a cappella choral. A jovial choice for holiday performances, Jeff...

An a cappella spiritual arrangement in the classic tradition. Opens with the basses singing a repetitive pattern followed by the other voices entering with the main melody. Solid, homophonic choral wr...

An a cappella spiritual arrangement in the classic tradition. Opens with the basses singing a repetitive pattern followed by the other voices entering with the main melody. Solid, homophonic choral wr...

The ultimate original madrigal for 3-part choirs. Independent vocal lines, terraced dynamics, and a joyful 'music' text create an ideal teaching piece that works well as a concert opener or an a cappe...

This a cappella edition is based on Tchaikovsky's arrangement of a song composed by 18th century Russian composer, Dmitry Bortnyansky. Bortnyansky's polyphonic style (developed during an extended stay...

Scored For SATB (includes Piano Part - for rehearsal only). Fidelio, The Barber of Seville, Die Fledermaus, The Magic Flute, The Marriage of Figaro, and William Tell.

The strength of this steady, walking-tempo spiritual comes from the powerful dynamic contrasts and solid choral writing. Features brief descant-style female solos. The optional hand drum adds a rhythm...

The strength of this steady, walking-tempo spiritual comes from the powerful dynamic contrasts and solid choral writing. Features brief descant-style female solos. The optional hand drum adds a rhythm...