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A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

Emerging composer Kelsey Hohnstein has produced a warm, deeply expressive setting of the Sara Teasdale poem with well-crafted vocal lines, interesting choral textures and a full dynamic range, making...

Der beliebte Spiritual in der swingenden Fassung der King Singers.

This carol tells the story of the king who on Saint Stephen's Day endures harsh weather as he and his page bring food and fuel to a poor peasant. This sturdy setting (optional a cappella) presents the...

This jazzy arrangement of the traditional German carol is set in a joyful a cappella voicing with hand percussion that will be a total blast to rehearse and perform. A great addition to holiday concer...

Music and merriment abound in this original madrigal-style work for a cappella voices. Includes choruses of Ding Dong! Merrily on High and We Wish You a Merry Christmas and a good measure of fa-la-la'...

William Byrd (c. 1540-1623) is one of the giants of the English Renaissance, composing sacred polyphony for both Anglican and Catholic rites. This collection provides well-edited, clean editions at an...

Originating as a traditional Tyne River Shanty for the transport of coal, this sturdy tune will fit well in a program of folk music, with a steady rowing motion in the accompaniment and a dancelike me...

Uses: Christmas, Christmas Eve, Concert Scripture: Matthew 1:23; Luke 2:31-33; John 8:12 This cheerful Christmas song has an islands feel to it and is filled with colorful moments to enjoy. The middle...

Text from Psalm 121. For SATTB A Cappella.

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

The Alice Parker Choral Series. Text by Y. Sheinburg. Rise up, let's go, rise up, Comrades, return! For SATB a cappella. Rehearsal piano part included.

Chanukah song. The Westminster Conservatory Youth Chorale Jewish Music Series. Based on the traditional folk song. For SATB a cappella, rehearsal piano part included.

The Westminster Conservatory Youth Chorale Jewish Music Series. For SATB a cappella, rehearsal piano part included.

NEW! Written for the 2000 Convention of the American Guild of Organists, An American Kedushah is a monumental piece. Working closely with Eleanor Epstein, conductor of the Zemer Chai Chorale of Washin...

Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Thomas Tallis (1505-1585) was equally at ease composing simple settings of English texts, and more florid Latin motets, as the examples in this collection show. Includes: Hear the voice and prayer; If...

Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...

Now available in additional voicings, Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to shalom in Hebrew or jambo in Swahili. This original work features percussion, l...

Now available in SSA and 3-Part Mixed voicings, this playful doo-wop flavored setting of the traditional English carol may be performed a cappella or with piano. With great solo opportunities, this pi...

Light, fast, strong and accented describe this arrangement of the traditional spiritual. This is a wonderful contrast to the heavy style so often associated with traditional spirituals. Each of the vo...