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No. 3 of Five Hymns in Popular Style. Orchestral material is available on hire. An SSA version is also available.

No. 5 of Five Hymns in Popular Style. Orchestral material is available on hire.

Chilcott's setting of Psalm 96 is bright, optimistic, and celebratory. The sparkling organ part and fluctuation between 7/8 and 4/4 metres give the opening and closing sections a dance-like feel, whil...

Epiphany takes for its text a translation of two verses by French hymn-writer Charles Coffin, augmented by a newly written verse by Chilcott's long-time collaborator Charles Bennett. The result is a c...

In this expressive setting, Chilcott adapts the Prayer of St Francis, with its focus on peace and unity. A semi-chorus, which may be taken from within the choir or by an upper-voice or children's choi...

This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highl...

Commissioned by the Worshipful Company of Barbers in celebration of their 700th anniversary, this impressive and stately setting of verses from Psalm 90 culminates in a jubilant, maestoso final sectio...

This charming piece has a warm, memorable tune and rich, expansive harmonies. Wilberg masterfully moves through different keys and scorings, culminating in a stirring unison 'amen'. Benediction is ide...

Featuring beautifully arching phrases, an optional soprano solo, and exultant yet tender climaxes, this anthem will be an instant hit with all types of choirs. The text by Selwyn Image based on I Cori...

This triumphant anthem for mixed voices and organ sets a well-known Easter text by Edmund Spenser. Building from a calm, reflective soprano melody to a grandiose fortissimo climax for full choir under...

This Easter anthem sets the second part of George Herbert's poem 'Easter'. The opening section has an almost pastoral feel, with the sopranos and altos presenting a lilting melody in thirds, underpinn...

This is John Rutter's first setting of the Magnificat and Nunc dimittis texts. The Magnificat features rippling organ syncopations, contrasting textures, and an emphatic Gloria. The Nunc dimittis is t...

The King shall rejoice was commissioned by Westminster Cathedral to mark the sixtieth anniversary of Her Majesty The Queen's coronation. Setting powerful and optimistic words from Psalm 21, Chilcott e...

This poignant anthem combines the nineteenth-century poet and Christian minister George MacDonald's emotive poem Lost and Found with the 'In paradisum' antiphon from the Burial Service. An orchestrati...

The irresistibly joyful motet Lobet den Herrn, alle Heiden features concise contrapuntal writing and a sophisticated harmonic language, and John Rutter's edition includes helpful performance suggestio...

A rich and sonorous piece, originally published in 1572.

Setting words by the medieval monk Notker Balbulus in a translation by J.M. Neale, Rutter creates an uplifting song of praise. Gentle organ arpeggios are set skilfully against carefully wrought choral...

This hymn-anthem of thanksgiving begins gently and tenderly, but builds to a rousing climax. It culminates with a verse of the hymn Now thank we all our God (which may be sung by the congregation in a...

In this rousing anthem for double choir, Rutter uses frequent time signature changes to breathe new life into Psalm 148. This anthem forms the conclusion to John Rutter's Psalmfest, for which scores a...

A mysterious and mesmeric anthem for SATB and organ, using the beautiful words from Matthew 11:28-9. The piece is suitable for use in Lent and throughout the year as a general anthem.

An evocative and stirring arrangement of Rachmaninov's celebrated fifth movement of the Vespers (or 'All-Night Vigil'), with guitar accompaniment and an alto solo. The piece may be performed in Englis...

A gentle setting of Psalm 84 taken from John Rutter's larger work Psalmfest.