Chorpartituren

Ramsey's characterization of the fairy's monologue from A Midsummer Night's Dream is both fun and imaginative, with rhythmic fluidity, a driving piano part, and clever accentuation perfectly complemen...

The Sarah Quartel Songbook brings together a selection of the composer's best-loved pieces for upper voices, including favourites such as The Birds' Lullaby, I remember, and All the way home. This is...

für SSAA und Klavier. My Own Design ist ein dreisätziges Werk über Selbstfindung, ein Leben mit Sinn und die Suche nach Freude in der sich entfaltenden Reise des Lebens. Gimon verschönert ihre dynamis...

für SSAA und Klavier. En suenos vertont Antonio Machados Gedicht "Tal vez la mano, en suenos" über Träume als Raum, in dem sich Erinnerung, Musik und Wahrheit treffen. Die ausdrucksstarken Chorstimmen...

für SSA und Klavier. Sanft und doch freudig ist We Thank You eine Ode an die Seligkeit der Natur. Die Musik nach einem Text von Ralph Waldo Emerson ist warm, tröstlich und fließend, mit den für Quarte...

Wolfgang Amadeus Mozarts Requiem in d-Moll (KV 626), ein emblematisches Werk des geistlichen Repertoires, bleibt eine der bekanntesten Kompositionen in der Geschichte der klassischen Musik. Dieses nac...

A stirring text combined with solid choral writing make this an ideal choice for concerts and festivals. Perfect for massed choirs or for any size choir. Starts small, builds, and then ends quietly: '...

Here is a very special piece which has been widely performed by choirs for seasonal and year round events. Now available for SSA ensembles, One Candle Lights the Way is a touching ballad with a secula...

This da capo chorus from Gluck's opera Armide provides a wonderful opportunity to cultivate skills like musical phrasing, dynamic contrast, and vocal tone and production. Two optional flutes enhance t...

An outstanding concert work with a powerful text for SATB and SSAA choirs. Careful attention is paid to the text with mostly homophonic writing and an A-B-A form. The piano part is not difficult and s...

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...

Choirs will achieve a quality sound as they perform this richly woven tribute to singing and music. Features optional solos in the pensive opening, then builds to the final statement, 'I cannot be sil...

Now this favorite aria from Handel's opera Semele can be enjoyed by treble choirs of any age. The nimble new piano part aids in shaping the legato choral phrases, just as the augmented interludes prov...

Written in the style of a folk song, this exquisite original choral captures the essence of a tender love that lasts forever. 'Where the sea meets the sky, I know it's there that you and I will be tog...

From the majestic opening fanfare, you'll know that this piece is something special. Wonderful echo format makes for easy learning. This powerful new work is appropriate for general and holiday concer...

This balletti from the Renaissance period should be performed lightly and energetically. Three-part choirs of any gender may choose to sing in Italian or English, a cappella or accompanied.

A clever parody of Offenbach's most famous work, this hilarious send-up, from the Grammy-nominated Beethoven's Wig: Sing Along Symphonies, is a blast to sing. 'Yes, oui, oui, we can Can-Can!'

This classical opera chorus is performed at the end of Mozart's Mitridate by five leading characters who pledge freedom for their country. An optional English text is printed in the octavo, or a phone...

Singers have long cherished this staple of the solo repertoire, and now it is beautifully set for choral groups of any size. Teach all of the same lessons you learned from your favorite vocal instruct...

Based on Sibelius' Finlandia, this impressive selection is like two phenomenal arrangements in one: the first half, a stunning homophonic treatment of 'This Is My Song‚' the second half, a Zulu transl...

The title says it all. It's the story of the ballet, set to the music of the ballet, and it only takes…(you guessed it)…three minutes to perform. Terrific!

From the French opera Armide comes this joyous chorus for women's voices. Distinctly Baroque, Dr. Liebergen's SSA arrangement includes a brief instrumental introduction, optional parts for two flutes...