Chorpartituren

Featured over the end credits of The Hobbit: An Unexpected Journey, this song paints the picture of the epic quest taken in the film. The song's roots come from a theme sung by the dwarves earlier in...

Featured over the end credits of The Hobbit: An Unexpected Journey, this song paints the picture of the epic quest taken in the film. The song's roots come from a theme sung by the dwarves earlier in...

Bing Crosby, Doris Day, Nat King Cole, Peggy Lee, and Harry Connick Jr. are just a few of the artists who have recorded this showtune-turned-standard by American songwriting team Lerner and Loewe. Buo...

Tina Turner's Hit und gleichzeitig die Titelmelodie aus dem James Bond-Film Golden Eye von 1995 (mit Pierce Brosnan als Bond), in einer Bearbeitung für gemischten Chor SATB mit Klavierbegleitung. Der...

The hit song from the monster hit television series 'Friends.' The success of the weekly series continues, and you can hardly turn on a radio without hearing The Rembrandts hit recording of this infec...

Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry....

Goldfinger will always call to mind Shirley Bassey's assertive vocal on the soundtrack of the James Bond film of the same name. Written by John Barry, Leslie Bricusse and Anthony Newley, it became the...

First introduced in the Broadway musical Lady Be Good, this Gershwin hit has been covered by Rosemary Clooney, Michael Feinstein, The Four Tops, and many more. Mark's exciting arrangement effectively...

Written for Sondheim's A Little Night Music, but now an iconic part of our cultural fabric, this lush, beautiful arrangement of Stephen Sondheim's memorable song is a simply breathtaking in its subtle...

Available: SATB, SSA.

This musical classic has found a new voice with a recent revival on Broadway. Filled with energetic music by Leonard Bernstein and great lyrics by Betty Comden and Adolph Green, the story of moving to...

Pop and jazz groups will enjoy this smoldering setting of this show-stopping number from the classic 1960s musical by Leslie Bricusse and Anthony Newley, also recently recorded by Michael Bublé. Avail...

A mini-medley of classic Broadway favorites.

Dieses energiegeladene Finale aus Hairspray, das jetzt in der Discovery Broadway-Reihe erhältlich ist, wird Ihre jüngeren Sänger und Zuschauer begeistern. Aufregend! Erhältlich für SATB, SAB, SSA, 2-s...

This is the dramatic Act I Finale from the legendary Broadway blockbuster Les Misérables. A powerful and profound addition to any concert program! Available: SATB, SAB, SSA, Instrumental Pak, ShowTrax...

This Oscar-winning Rodgers and Hammerstein classic was written for the film State Fair in 1945. John Purifoy's well-crafted arrangement is highlighted by warm vocal harmonies and an expressive piano a...

It's the show that made Broadway history! Now available in an a cappella setting by Steve Zegree, this inspirational rock anthem from Rent will be an uplifting concert highlight. Performance Time: App...

This happy yodeling song from The Sound of Music perfectly captures the charm and atmosphere of an Austrian country dance! Fun to sing and fun for audiences, too! Available separately: SATB, SAB, SSA,...

This touching pairing of two beloved songs from Fiddler on the Roof will create a magical moment in concert. An excellent selection for either concert choir or show choir! Available separately: SATB,...

Songs from the musical 'Evita' arranged for mixed chorus (SATB) and Piano. Arranged by Ed Lojeski. Includes 'Don't Cry for Me Argentina', 'You Must Love Me' and 'High Flying, Adored'

The king'singers give special treatment to this Andrew Lloyd Webber classic from The Phantom of the Opera! Available: SATB a cappella. Performance Time: Approx. 2:55.

Challenging harmonies and rhythmic passages have helped make this vocal jazz setting of the Gershwin standard a favorite.

Dieses absolute show-taugliche Stück wird das Publikum in Rage versetzten. Als Schluss- oder Zugabe-Stück ist es bestens beeignet und die lustigen Verse wie die 'falschen' Noten sind bei Sängern und P...