Chorpartituren

This collection of Preces & Responses follows on from Shaw's classic 'Tudor' volume, with later settings by Gibbons & Barnard (SAATB), William Child (SAATB), Richard Ayleward (SATB, in D major), John...

For SATB and piano or orchestra - 3. 2. 2. 2-4. 3. 3. 1-timp-2perc-org-str - David Warner's text speaks of peace calming the strife after war is over and urges reconciliation. Wilberg's heartfelt arra...

This meaningful text by David Warner is accompanied by beautiful leaps and subsequent suspensions in the memorable melody, which is supported by rich textures in the organ and orchestra. Appropriate t...

Eleanor Daley sets well-loved texts by George Herbert in this suite of three pieces. They may be performed separately as part of a church service, or together for an impressive concert piece. This sui...

Eleanor Daley sets this Wesley text in an antiphonal style between the SATB choir and organ (or brass quartet, parts sold separately). The sound is majestic and declamatory, just as one would expect f...

A lyric and serene sacred song, foreshadowing the mood of the Requiem.

For SATB and organ - Set to a text by John A. Dalles, a hymn-writer whose work has appeared in a number of significant hymnals, the work is suitable for funerals, memorials, and on any Sunday when the...

For SATTB and organ continuo - Continuing the Church Music Society series of Sweelinck motets, O sacrum convivium (O sacred banquet) is suitable for any Eucharist outside Lent. The middle section in t...

SSAATTBB soli, SSAATTBB & organ This edition celebrates the 200th anniversary of the composer's birth. The distinguished Wesley scholar, Peter Horton, has worked from the original folio edition of 184...

This edition celebrates the 200th anniversary of the composer's birth. The distinguished Wesley scholar, Peter Horton, has worked from the original folio edition of 1844. It displays Wesley's adventur...

SSAATTBB & organ This edition by Richard Lyne retains the original Latin text and is based on the fair copy that Wesley left to his son, Samuel Sebastian Wesley.

SSAATTBB, SSATTB verse & organ First edited in the 1950s by Watkins Shaw and published privately, this magnificent anthem has been revised in honour of the centenary of Shaw's birth by his successor a...

The Church Music Society is proud to publish this mass setting by Anthony Caesar, written for St Paul's, K Street, Washington DC. The quieter sections are strongly influenced by plainsong, and the Glo...

William Turner was one of the most important composers writing at the time of the Restoration of the monarchy. This sprightly anthem, first performed at the coronation of Queen Anne, is well within th...

Following the recent release of a CD of Harry Bramma's church music, the Church Music Society is proud to publish this setting of words of St Augustine of Hippo, written for the Choir of St Martin's,...

Wesley set this text from Psalm 110 twice - once in 1814 for four voices and again in 1827 for six voices. This latter version, though short, has considerable drive and impact, making it highly suitab...

For SSATB and organ Written in 1852 in the wake of S.S.Wesley's groundbreaking Service in E this is an equally ambitious work with an important obbligato organ part. With only one change of tempo, it...

For SSATB and organ This completes the Church Music Society's set of four pieces by Samuel Wesley which were much acclaimed by Vincent Novello. The striding bass line of the opening sets the mood for...

Written in 1911, this work is mainly homophonic. Tenors and basses sing four phrases in unison and a soprano solo takes the phrase 'He rememb'ring his mercy'. The Gloria returns to the music of the op...

Born 200 years ago this year and orphaned at the age of 3, Sterndale Bennett was brought up by his grandfather in Cambridge, where he sang in the choir of King's College before entering the Royal Acad...

Sweelinck's 5-voice (SSATB) Epiphany motet Ab Oriente, published in 1619, is a superb example of his polyphonic fluency and of his vivid response to the imagery of the text, depicting the steady, purp...

Ich habe diese Messe in den ersten Jahren meiner Anwesenheit in Notre-Dame komponiert, also vor der Gründung des Vereins Musique sacrée à Notre-Dame de Paris und der Umstrukturierung des Chors der Kat...

Dieses Stück wurde 2013 komponiert, als wir das 850-jährige Bestehen der Kathedrale feierten. Es ist meinem großen Freund Lionel Sow gewidmet, der den Chor der Kathedrale von 2006 bis 2014 leitete, ei...

Der Titel dieses Stücks stammt von der großartigen gregorianischen Antiphon Salve Regina, die wahrscheinlich im 11. Jahrhundert geschrieben wurde und seit fast tausend Jahren Musiker inspiriert. Diese...

Rolande Falcinelli's Messe de Saint-Dominique, for Mixed Choir.