Chorpartituren

Richard Burchard's carefully-crafted setting of No Longer Mourn gives vivid, melodic life to William Shakespeare's text, which is beautifully supported by profound harmonic fullness. A richly satisfyi...

This expressive work for SATB divisi choir gives smooth lines to the traditional Latin text, taking singers on a journey rich with contrasts of color and expansive chordal harmonies, and at last reach...

Soon ah will be done wid de troubles of the de world ... this extraordinary a cappella spiritual arrangement is rhythmic, vibrant, and expressive, with excellent vocal writing and energy. A perfect se...

We are all stardust, matter recycled through time to create new stars. Smooth, connected lines and lush harmonic textures are the framework for this beautiful, ethereal piece for mixed choirs. A uniqu...

The Out from the Shadows Choral Series brings you Summer Is Gone, a new setting of British poet Christina Rosetti's 1862 poem Bitter for Sweet. The composer, Samuel Coleridge Taylor, displays superb c...

Using 14th-century plainsong as a point of departure, Richard Burchard masterfully crafts a stunning new SSATTB setting of the Latin text. This gorgeous hymn was written for Michelle Jensen's Sterling...

In this remarkable piece, the audience is invited to hear my voice ... pierce the ceiling of the waves. With a text taken from the Book of Psalms, the work includes an aleatoric section where individu...

Where Are You? Stephen Bock's poignant text asks where a loved one has gone, now that death has come. Burchard's setting for a cappella SATB divisi and two soloists, with its rising, searching motives...

This striking a cappella setting of Scarborough Fair is a perfect fit for advanced concert choirs, a cappella groups or vocal jazz ensembles at high school, university and community levels. Made famou...

You have never heard an arrangement of This Land Is Your Land quite like this one. The arranger, Blake Morgan, said: I felt it was fitting to illuminate one of Guthrie's original verses, placed at the...

Im Wald (In the Forest) is number six of the Gartenlieder by Fanny (Mendelssohn) Hansel. A sprightly and refreshing piece, beautifully edited by Michelle Jensen, it fits perfectly in any program about...

An a cappella opening sets the stage for a colorful and descriptive work full of vivid imagery. Sara Teasdale's poem melds the natural world and the personal world in ways that still resonate.

Looking for an arrangement to feature a great soloist while still highlighting your choir? Look no further. Stacey Gibbs' arrangement of Dottie Rambo's classic hit I Go to the Rock is full of rhythmic...

A lesser-known American hymn is explored and expanded in this dynamic adaptation. Robust and energetic, the minor mode theme is a compelling setting for a lyric that celebrates discipleship and abunda...

Dieser energiegeladene Choral vermittelt eine weise biblische Botschaft: "Wie Samen, die auf guten Boden gesät werden, hört das Wort, nehmt es an und bringt eine Ernte hervor." Die Lektion ist univers...

Diese beliebte Arie von Puccini wurde für A-cappella-Chöre neu arrangiert, und der Effekt ist von schierer Schönheit! Eine großartige Wahl für das Unterrichten von Phrasierung und stimmlicher Mischung...

Die Jason Max Ferdinand Choral Series präsentiert Stephen Murphys moderne Chorfassung eines traditionellen Textes aus dem 15. Jahrhundert, "Adam Lay Ybounden", für unbegleiteten SATB-Chor. Murphy verw...

Diese Melodie aus dem 13. Jahrhundert wurde für Schulchöre arrangiert, die sich in der Weihnachtszeit der Mehrstimmigkeit zuwenden möchten. Sanfte melodische Linien weichen intelligenten Herausforderu...

Dedication ist eine musikalische Aussage über Selbstfindung und Selbstliebe aus der Perspektive einer schwarzen Frau. Das Stück zeichnet sich durch eine intensive rhythmische Vitalität mit starker Syn...

Dieses konzertante Arrangement des traditionellen Spirituals ist ein Plädoyer dafür, sich auf eine vielversprechende Zukunft vorzubereiten: Mach mich bereit für mein langes weißes Gewand. Fix me for m...