Chorpartituren

Dieses kraftvolle Werk für gemischten Chor schöpft aus dem 2. Korintherbrief 5,17 und erforscht die tiefe Sehnsucht, von den Lasten befreit zu werden, die im Leben den größten Schmerz und das größte H...

Dieses A-cappella-Arrangement für gemischten Chor verwebt auf wunderbare Weise zwei beliebte traditionelle Spirituals, In Bright Mansions Above und Deep River. Das Arrangement ehrt die reiche emotiona...

For SATB Choir A Cappella.

Written for unaccompanied SATB choir. Words by James Kirkup. Dedicated to Frederic Jackson and the London Philharmonic Choir.

Five Epigrams arranged for unaccompanied SATB are set to Robert Burns' poems.

Antiphon for SATB Choir A Cappella. Suriano was a pupil of Palestrina and a served a period as Maestro di Cappella at the Mantuan court. This edition by H. B. Collins.

For SATB Choir A Cappella. Suitable for performance on Good Friday.

A Motet for the feast of All Saints and for general use. For SATB Choir A Cappella. Edited by Henry Washington.

A setting of the Tract for the Blessing of the Font. Motet for SATB Choir A Cappella, edited by J. Steele.

Giuseppe Ottavio Pitoni (1657-1743) was an Italian organist and composer, and one of the leading figures in the late Baroque era. He wrote an extensive oeuvre of liturgical music, with over 200 motets...

For SSATB Choir A Cappella.

For SSATB Choir A Cappella. Dedicated to Colin Mawby and the Choir of Westminster Cathedral. Piano rehearsal reduction provided.

For unaccompanied chorus SSAATTBB. Text: Edmund Spenser. The Hill Of The Graces was commissioned by the BBC, and was first performed on 20th October 1975 as part of a concert given by the BBC singers...

Motet for five voices (SATBB) for Feasts of the Blessed Virgin Mary.

This is for soprano solo and unnaccompanied chorus. The words are by William Browne. It was written in 1974.

Set for unaccompanied chorus SATB, words by Eleanor Farjeon.

Part-song for SATB A Cappella. Text: WB Yeats.

Composed in 1972 for SATB chorus unaccompanied. Piano accompaniment for rehearsal only.

Work for six solo Voices or unaccompanied Choir. First performed by The Purcell Consort of Voices in 1974. Text: St John of the Cross.

Still Falls the Rain' is perhaps Edith Sitwell's greatest poem. Maconchy set the poem for double choir, unaccompanied, with some antiphonal writing. The recurrence of the phrase 'still falls the rain'...

For unaccompanied double choir SSAATTBB.