Chorpartituren

The Lullaby from 'The Unicorns' arose from an opera libretto I commissioned from John Heath-Stubbs (1918-2006) in the late 1960s. In his story two unicorns are discovered in a remote part of Africa....

Owain Park's For The Fallen for SSAATTBB unaccompanied choir, includes Piano accompaniment for rehearsal. Owain Park is a prize-winning composer, published byNovello. His music has been performed acr...

Originally a Ukrainian melody, arranged here by Roy Massey with lyrics by Alick Rowe for Soprano solo and SATB chorus (unaccompanied).

The Prince of Sleep, to words by Walter de la Mare is a languid setting, capturing masterfully the absent-minded sentiments of the words; imagery of dreams and the natural world (especiallywoodland) a...

Now Sinks The Sun (Jam Sol Recedit) by Horatio Parker for SATB chorus unaccompanied.

Lead Us, O Father by Michael Doswell, an anthem for unaccompanied SATB choir with words by W. H Burleigh.

Patric Standford's Stabat Mater, an unaccompanied motet for SSATBB choir from his critically acclaimed oratorio, Christus Requiem.

The Two Short Victorian Anthems includes Not Unto Us, O Lord by Thomas Attwood Walmisley and God So Loved The World by John Goss, both arranged for unaccompanied SATB chorus.

Mealor's setting of this popular text for SATB divisi chorus unaccompanied.

Originally composed as the second of a set of three Latin motets, Paul Mealor's Ave maris stella is now available separately, set for SATB divisi chorus unaccompanied.

Your gentleness, O God of grace was commissioned and dedicated to the memory of Barbara Bubb by Christine Hall and Geoffrey Rowell. It was first performed at a celebration of the Eucharist in Winchest...

Salvator Mundi: Greater Love was commissioned by the Swansea Festival and premiered by Côrdydd, conducted by Sioned James at St Mary's Church, Chepstow on 9 October 2011. It combines two sacred texts:...

Commissioned by St Matthew's Church, Northampton for the Patronal Festival 2012, in memory of Edith Kennedy (1927-2009).

This work for mixed voices was commissioned by the Allegri Singers and first performed by them in 1988. The text is by Geoffrey Hill from 'Tenebrae'.

The Wings Of The Wind is a work by Owain Park for Unaccompanied SSAATTBB Choir. Composed for Stephen Layton and The Choir of Trinity College Cambridge, the work is a setting of words from the Book of...

In The Bleak Midwinter is a work by Julian Marshall for Unaccompanied SATB Choir. A setting of the well-known poem by Christina Rossetti, a performance lasts around 3 minutes.

The Holly And The Ivy is a work by Julian Marshall for Unaccompanied SATB Choir. A setting of the traditional poem, a performance lasts around 2 and a half minutes.

I Heard A Voice From Heaven is a work by Herbert Howells from 'Requiem', scored for Unaccompanied SATB Choir. A full performance lasts around 4 minutes.

Andrew Cusworth 's Adam Lay Ibounden is a work for Unaccompanied SAB Choir, a setting of an anonymous 15th century English text. A performance lasts around 1 and a half minutes.

In The Departure Of The Lord is a work by composer John Bull for Unaccompanied SATB Choir. A setting of a poem by Sir William Leighton from 'The Teares and Lamentatacions of a Sorrowful Soule', a perf...

God Be In My Head is a work by composer David Hill for Unaccompanied SATB Choir. It was first performed on the 6th of February 2016 by the Choir of St John's College, Cambridge, conducted by Andrew Ne...

And They Shall Beat Their Swords Into Ploughshares is a work by James Davy for Unaccompanied SATB Choir that sets words from Isaiah 2:4 which lasts around 1 and a half minutes.

In Monte Oliveti is a work by Anton Bruckner for Unaccompanied SATB Choir. A setting of text from the first Responsary on Maundy Thursday, a full performance lasts around 1 minute.

O For A Lay!' is a work by Charles Wood for Unaccompanied SATB Choir. A setting of a poem by George Ratcliffe Woodward, a full performance lasts around 1 and a half minutes.

Tu Es Petrus' is a work by Andrew Wells for Unaccompanied SATB Choir that sets words from Matthew 16:28.