Chorpartituren

This is classic American choral writing. Opens with a legato 'oo' passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.

This popular general-purpose spiritual is now available for your men. Creative and full-sounding choral writing features both homophonic and 2-part textures. Clever, innovative, non-sacred text: 'No n...

Another well-edited arrangement by Russell Robinson of a light and spirited work from the madrigal repertoire. It's the perfect choice for any SSA or 3-part mixed choir, with or without experience in...

An emotional and electrifying new arrangement of a classic American work, with your choice of accompaniment options, including full concert band. Fine choral writing is the hallmark of this work, with...

A thoughtful song of parting, benediction-like, in the style of an Irish blessing. Basic choral writing throughout with much opportunity for rubato phrasing. Moderate ranges in all voice parts in both...

Morley's famous madrigal is arranged perfectly for 3-part mixed voices. Excellent for developing choirs and small vocal ensembles. Limited range male part.

An original, newly composed madrigal written for developing SAB and SSA choirs. Great for any choir of any size learning to sing in the madrigal style. The unique text, written in 1912 by William Jero...

Much repetition and a catchy makes this 7/8 number deceptively easy to learn. Opens with eight measures in 7/8, then a smooth, homophonic andante section in 4/4, followed by a repeat of the opening 7/...

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

Straightforward, homophonic vocal writing is the highlight of this fullsounding yet simple Christmas work. It's in the style of a madrigal, and may be performed with or without piano.

Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The male part has a limited, 5-note range. . . great...

Two texts, one general and the other for Christmas, make this joyous work ideal for year round concerts, festivals, and adjudications. The open 5ths introduced by the treble voices are echoed by the m...

A 'fa la la' section in this joyful number makes it appropriate for both Christmas and general use. It's a fine learning piece in the madrigal style, yet the singable melodies make the independent voc...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Yes, there are other arrangements of this lively Spanish carol, but none so perfectly crafted for 3-part mixed groups. That's what makes a Donnelly/Strid arrangement special: an attention to the stren...

This trio of fresh, new, madrigals from Jay Althouse is a valuable addition to the choral repertoire of 3-part and SSA choirs. And at 1.75, it's quite a value. The first is in a traditional madrigal s...

We might have called this piece: 'Greatest Hits of the Sixteenth Century!' It's every madrigal you can think of (plus a few you can't) cleverly woven into a tight, fun to sing medley. Each madrigal de...

Patrick Liebergen has taken a delightful chanson by Jacques Arcadelt and adapted it for contemporary singers while retaining the essential Renaissance feel of the work. Moderate ranges. An optional pi...

Another well-edited arrangement by Russell Robinson from the madrigal repertoire. Sung a cappella, or with the piano, the men's part spans only six notes in an easy range for changing voices. Charming...

Develop your choir's a cappella skills with this straightforward original madrigal by Donald Moore. Traditional harmonies, modest ranges, and lots of repetition make it a quick-learn piece. Contrastin...

Here is an irresistible gospel style Christmas number from Greg Gilpin that your students will want to sing again and again. And with infectious syncopated rhythms, resonant gospel chords, and spirite...

With a text in Italian or English, clear choral phrasing, and excellent voice leading, this new voicing of the Renaissance classic is just right for SSA choirs. Informative performance notes and a pro...

A brilliant pairing of two favorite spirituals by Philip Kern. It's a high energy setting of 'When the Saints Go Marchin' In,' incorporating two exciting and original counter lines, ultimately combine...

A contemporary a cappella madrigal. Filled with traditional 'fa la la's' and resonant modern chords, Wintertime Cheer even includes a part for optional hand drum or tambourine. Jay Althouse's setting...

Feature two outstanding accompanists at the piano with this exceptional arrangement of the favorite Christmas carol, 'Angels We Have Heard on High. ' From its rhythmic opening, through the fresh a cap...