Chorpartituren

A setting of the most famous passage from the Book of Ruth (Ruth 1:16-17) opens with a gentle polyphonic section for the chorus. The soprano joins the choir for the twice-repeated middle section of th...

This unusual setting uses a fresh text excerpted from the book, Back to the Ethic: Reclaiming Western Values by Diane Weber Bederman (Mantua Books, 2015). The music is very much a text painting, shift...

The conductor of Choral Arts Northwest, Robert Bode, asked the composer to write a work based on a text about The Blessed Virgin Mary. The final poem in Petrarch's most famous work, Il Canzoniere, wa...

In his brief poem Eternitie, Robert Herrick (1591 1674) imagines the immense awe that accompanies leaving this world and entering the next. A hint of longing for what was in the opening words, 'O Year...

A gentle, lyrical anthem suitable for a baptismal service, either as an immediate response (which would be quite moving) or elsewhere in the service. The composer has used his own new text, which is c...

A soaring, joyful, unaccompanied motet in F major. (Keyboard reduction provided.) Notated on five staves with the soprano 1 and 2 on their own staves. However, all parts below that also divide very oc...

The text for this carol was inspired by the priest Phillips Brooks' visit to Bethlehem in 1895. It was set to music by his organist at Trinity Church, Boston, Lewis Redner, in 1868. The arrangement us...

The 18th-century poem, Jesus Christ, the Apple Tree, found its way into an American hymnal compiled by Joshua Smith in 1784. Most often classified as a carol. A soprano soloist introduces the simple m...

A set of four contrasting 'memorial dances' for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving,...

A set of four contrasting 'memorial dances' for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving,...

A set of four contrasting 'memorial dances' for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving,...

A set of four contrasting 'memorial dances' for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving,...

A set of four contrasting 'memorial dances' for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving,...

This serene music is an arrangement of Scene XIV from the composer's oratorio 'Paradiso, ' which is a setting of the third part of Dante's Divine Comedy (Commedia). The music is an evocation of Dante'...

Commissioned by the Radcliffe Choral Society and the Harvard-Radcliffe Collegium Musicum, this piece was created to celebrate the awakening and life-transforming power of music, as a force that enlive...

A setting of a composite text by the composer which combines passages from a variety of sources: the Requiem service (Dies irae, Libera me), the Mass (Agnus Dei qui tollis, Agnus Dei dona nobis pacem)...

In the tradition of Daniel Pinkham's Christmas Cantata, Kevin Siegfried's Vidimus stellam (We Have Seen His Star) is a radiant and uplifting work for SATB Chorus and Brass Quintet or Organ. Using trad...

Commissioned by a choral society in memory of their beloved accompanist, this is an SATB divisi unaccompanied setting of a poem by Edna St. Vincent Millay. The text remembers a departed friend through...