Download-Noten von Bob Chilcott

This setting of St Benedict's 6th-century prayer begins with a gentle recurring figure in the keyboard, building to a rousing climax. The primarily homophonic texture allows the timeless text to shine...

Chilcott's setting of Psalm 96 is bright, optimistic, and celebratory. The sparkling organ part and fluctuation between 7/8 and 4/4 metres give the opening and closing sections a dance-like feel, whil...

Epiphany takes for its text a translation of two verses by French hymn-writer Charles Coffin, augmented by a newly written verse by Chilcott's long-time collaborator Charles Bennett. The result is a c...

In this expressive setting, Chilcott adapts the Prayer of St Francis, with its focus on peace and unity. A semi-chorus, which may be taken from within the choir or by an upper-voice or children's choi...

This is Chilcott's first setting of the Evening Service, written for the Choir of Downing College, Cambridge. The Magnificat is a powerful setting of the Canticle of Mary, with homophonic textures and...

This triumphant anthem for mixed voices and organ sets a well-known Easter text by Edmund Spenser. Building from a calm, reflective soprano melody to a grandiose fortissimo climax for full choir under...

This Easter anthem sets the second part of George Herbert's poem 'Easter'. The opening section has an almost pastoral feel, with the sopranos and altos presenting a lilting melody in thirds, underpinn...

The King shall rejoice was commissioned by Westminster Cathedral to mark the sixtieth anniversary of Her Majesty The Queen's coronation. Setting powerful and optimistic words from Psalm 21, Chilcott e...

A mysterious and mesmeric anthem for SATB and organ, using the beautiful words from Matthew 11:28-9. The piece is suitable for use in Lent and throughout the year as a general anthem.

An evocative and stirring arrangement of Rachmaninov's celebrated fifth movement of the Vespers (or 'All-Night Vigil'), with guitar accompaniment and an alto solo. The piece may be performed in Englis...

A setting of texts from Ecclesiasticus, and by Martin Rinkart. Material is available on hire.

Scored for low voice and piano or organ, this setting of a Jewish text is simple but uplifting, and well-supported by a flowing keyboard accompaniment. Also available in a version for solo high voice.

In this compelling motet for the Feast of the Holy Trinity, Handl artfully embodies symbolism of the Trinity within the motet's structure.

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment.

An easy and original setting with an extremely memorable tune of the well-known Rossetti text. Also available in versions for solo high voice, upper voices, and mixed voices.

This follows the order of the liturgy at St. Paul's, West Street, Brighton. Congregational participation (in Hymns, prayers, the Creed and Angelus) has been omitted.

Four songs for SS and piano on the theme of cities, written with younger voices in mind. Styles range from the streetwise and upbeat to a more reflective lyricism.

In the manner of a French chanson, this is a charming lullaby on a text by Victor Hugo. A sweet, simple melody is underpinned by a delicate fluid accompaniment and rich harmonic shading, to create a p...

Combining texts by Christina Rossetti and Robert Burns, this mixed voice version retains the upper-voice opening of the original, with the latter section being expanded into mixed-voice harmony. Also...

This upbeat and exuberant arrangement of a classic American folk song is a real show-stopper. Chilcott combines easy but highly effective SATB textures with a straightforward piano accompaniment to ev...

This gentle and expressive setting of John Donne's 'Catch a falling star' once again demonstrates Chilcott's ability to 'get inside' a text. His wistful melody, varied vocal textures, and rich harmony...

This is an enchanting setting of Shakespeare's Sonnet No. 8 for upper voices and piano. With a text that expounds the power of music, this piece transports the listener to an ethereal soundworld throu...

Written in memory of John Scott, the celebrated organist and choirmaster, who died in 2015, The Real of Heart is a beautifully tender and reflective piece. The anonymous text reminds us to remember th...