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Les Fous & Les Sages (Beggar's Parade), as performed by Richard Anthony, arranged with French words for voice and piano with guitar chords.
Les Fous & Les Sages (Beggar's Parade), as performed by Richard Anthony, arranged with French words for voice and piano with guitar chords.
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Stop And Think, as performed by Ruby Miller, arranged for voice and piano with guitar chords.
Stop And Think, as performed by Ruby Miller, arranged for voice and piano with guitar chords.
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Stranded On A Dead End Street, as performed by The ETC Band, arranged for voice and piano with guitar chords.
Stranded On A Dead End Street, as performed by The ETC Band, arranged for voice and piano with guitar chords.
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Sunny Girl, as performed by The Hep Stars, arranged for voice and piano with guitar chords.
Sunny Girl, as performed by The Hep Stars, arranged for voice and piano with guitar chords.
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The Beggars Of Rome, as performed by Russ Conway, arranged for voice and piano with guitar chords.
The Beggars Of Rome, as performed by Russ Conway, arranged for voice and piano with guitar chords.
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The Big Hurt, as performed by Joan Small, arranged for voice and piano with guitar chords.
The Big Hurt, as performed by Joan Small, arranged for voice and piano with guitar chords.
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The Hippy Hippy Shake, as performed by The Swinging Blue Jeans, arranged for voice and piano with guitar chords.
The Hippy Hippy Shake, as performed by The Swinging Blue Jeans, arranged for voice and piano with guitar chords.
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The Story Behind The Story, as performed by Al Downing, arranged for voice and piano with guitar chords.
The Story Behind The Story, as performed by Al Downing, arranged for voice and piano with guitar chords.
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Vous Permettez Monsieur?, as performed by Salvatore Adamo, arranged for voice and piano with guitar chords.
Vous Permettez Monsieur?, as performed by Salvatore Adamo, arranged for voice and piano with guitar chords.
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When I Get My Hands On You, as performed by Diana Trask, arranged for voice and piano with guitar chords.
When I Get My Hands On You, as performed by Diana Trask, arranged for voice and piano with guitar chords.
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When You Took Your Love (From Me), as performed by The Fabulous Dorsey Orchestra, arranged for voice and piano with guitar chords.
When You Took Your Love (From Me), as performed by The Fabulous Dorsey Orchestra, arranged for voice and piano with guitar chords.
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When You're Young - Vocal Selection, as performed by John Hanson, arranged for voice and piano with guitar chords.
When You're Young - Vocal Selection, as performed by John Hanson, arranged for voice and piano with guitar chords.
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- Keith Papworth
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Where Can You Go (For A Broken Heart), as performed by George Maharis, arranged for voice and piano with guitar chords.
Where Can You Go (For A Broken Heart), as performed by George Maharis, arranged for voice and piano with guitar chords.
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Whispering Wine, written by Frances Kane and Billie Weber, arranged for voice and piano with guitar chords.
Whispering Wine, written by Frances Kane and Billie Weber, arranged for voice and piano with guitar chords.
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Why Me Lord, written by Kris Kristofferson, arranged for voice and piano with guitar chords.
Why Me Lord, written by Kris Kristofferson, arranged for voice and piano with guitar chords.
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Winkie Doll (Dakkochan), written by Jenny Fuller, Lee Fielding and Beryl Barnett, arranged for voice and piano with guitar chords.
Winkie Doll (Dakkochan), written by Jenny Fuller, Lee Fielding and Beryl Barnett, arranged for voice and piano with guitar chords.
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With All Of My Heart, as performed by Brook Benton, arranged for voice and piano with guitar chords.
With All Of My Heart, as performed by Brook Benton, arranged for voice and piano with guitar chords.
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Wonderland, written by Philip Green with words by Norman Newell, from the HMV Record Production 'Alice In Wonderland', arranged for voice and piano with guitar chords.
Wonderland, written by Philip Green with words by Norman Newell, from the HMV Record Production 'Alice In Wonderland', arranged for voice and piano with guitar chords.
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Bats In The Belfry, composed by Billy Mayerl, on a Theme by Austen Croom-Johnson, in the key of Ab Major arranged for piano solo.
Bats In The Belfry, composed by Billy Mayerl, on a Theme by Austen Croom-Johnson, in the key of Ab Major arranged for piano solo.
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Parade Of The Sandwich Board Men, composed by Billy Mayerl, a Novelty in Syncopation, in the key of A Minor arranged for piano solo.
Parade Of The Sandwich Board Men, composed by Billy Mayerl, a Novelty in Syncopation, in the key of A Minor arranged for piano solo.
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Ladybird (from 'Three Contrasts Op.24, No.1''), composed by Billy Mayerl, arranged for piano solo.
Ladybird (from 'Three Contrasts Op.24, No.1''), composed by Billy Mayerl, arranged for piano solo.
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Fiddle Dance (from 'Three Contrasts Op.24, No.3'), composed by Billy Mayerl, arranged for piano solo.
Fiddle Dance (from 'Three Contrasts Op.24, No.3'), composed by Billy Mayerl, arranged for piano solo.
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Pastoral (from 'Three Contrasts Op.24, No.2'), composed by Billy Mayerl, arranged for piano solo.
Pastoral (from 'Three Contrasts Op.24, No.2'), composed by Billy Mayerl, arranged for piano solo.
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Railroad Rhythm, composed by Billy Mayerl, in the key of Gb Major arranged for piano solo.
Railroad Rhythm, composed by Billy Mayerl, in the key of Gb Major arranged for piano solo.
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Robots Op.81, composed by Billy Mayerl, in the key of Ab Major arranged for piano solo.
Robots Op.81, composed by Billy Mayerl, in the key of Ab Major arranged for piano solo.
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