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That Certain Party, written by Walter Doanldson with words by Gus Kahn, arranged for voice and piano with guitar chords.
That Certain Party, written by Walter Doanldson with words by Gus Kahn, arranged for voice and piano with guitar chords.
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That's What I Like About You, written by Walter Donaldson, arranged for voice and piano with guitar chords.
That's What I Like About You, written by Walter Donaldson, arranged for voice and piano with guitar chords.
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‘The word Lullaby is used in the sense of an incantation to sleep’ explains Oliver Knussen in a programme note for his exquisite 6-minute piano piece Sonya’s Lullaby. ‘Sonya is my daughter, who was a...
‘The word Lullaby is used in the sense of an incantation to sleep’ explains Oliver Knussen in a programme note for his exquisite 6-minute piano piece Sonya’s Lullaby. ‘Sonya is my daughter, who was a...
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A skilled pianist himself, Carl Vine has created a body of piano music which occupies a central place in the contemporary repertoire through its scintillating command of sonority and space as well as...
A skilled pianist himself, Carl Vine has created a body of piano music which occupies a central place in the contemporary repertoire through its scintillating command of sonority and space as well as...
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After composing the unconventional but highly successful Night Piece (Notturno) for the inaugural Leeds International Piano Competition, Marion Harewood, the competition's co-founder along with Dame F...
After composing the unconventional but highly successful Night Piece (Notturno) for the inaugural Leeds International Piano Competition, Marion Harewood, the competition's co-founder along with Dame F...
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Britten's 6 minute cadenza was requested by Sviatoslav Richter and written in the summer of 1966 in Aldeburgh before being toured by Richter.
Britten's 6 minute cadenza was requested by Sviatoslav Richter and written in the summer of 1966 in Aldeburgh before being toured by Richter.
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Composed in 1994, Carl Vine’s Five Bagatelles distil his unique voice into a microcosm: motoric jazz influences, sonorous harmonies, and brief, heart-stopping moments of lyricism combine to form a com...
Composed in 1994, Carl Vine’s Five Bagatelles distil his unique voice into a microcosm: motoric jazz influences, sonorous harmonies, and brief, heart-stopping moments of lyricism combine to form a com...
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Composed in 2009 for Emmanuel Ax, Thomas Adès’s Mazurkas listen to the Polish folk genre as it was listened to by Chopin, except that its rhythms and the heave of its shifting accents are now caught f...
Composed in 2009 for Emmanuel Ax, Thomas Adès’s Mazurkas listen to the Polish folk genre as it was listened to by Chopin, except that its rhythms and the heave of its shifting accents are now caught f...
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Hello Beautiful, written by Walter Doanldson, arranged for voice and piano with guitar chords.
Hello Beautiful, written by Walter Doanldson, arranged for voice and piano with guitar chords.
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Hello Heaven! Hello Love!, written by Walter Donaldson, arranged for voice and piano with guitar chords.
Hello Heaven! Hello Love!, written by Walter Donaldson, arranged for voice and piano with guitar chords.
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Hiawatha's Lullaby, written by Walter Doanldson with words by Joe Young, arranged for voice and piano with guitar chords.
Hiawatha's Lullaby, written by Walter Doanldson with words by Joe Young, arranged for voice and piano with guitar chords.
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I Guess It Wasn't Meant To Be, written by Walter Doanldson with words by Gus Kahn, arranged for voice and piano with guitar chords.
I Guess It Wasn't Meant To Be, written by Walter Doanldson with words by Gus Kahn, arranged for voice and piano with guitar chords.
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I Think Too Much Of You, written by Walter Doanldson with words by Gus Kahn, arranged for voice and piano with guitar chords.
I Think Too Much Of You, written by Walter Doanldson with words by Gus Kahn, arranged for voice and piano with guitar chords.
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I Wonder Where My Baby Is Tonight, written by Walter Doanldson with words by Gus Kahn, arranged for voice and piano with guitar chords.
I Wonder Where My Baby Is Tonight, written by Walter Doanldson with words by Gus Kahn, arranged for voice and piano with guitar chords.
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I'm With You, written by Walter Doanldson, arranged for voice and piano with guitar chords.
I'm With You, written by Walter Doanldson, arranged for voice and piano with guitar chords.
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Little Hunka Love, written by Walter Doanldson, arranged for voice and piano with guitar chords.
Little Hunka Love, written by Walter Doanldson, arranged for voice and piano with guitar chords.
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My Mom, written by Walter Doanldson, arranged for voice and piano with guitar chords.
My Mom, written by Walter Doanldson, arranged for voice and piano with guitar chords.
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When I See Roses, written by Walter Doanldson with words by Gus Kahn, arranged for voice and piano with guitar chords.
When I See Roses, written by Walter Doanldson with words by Gus Kahn, arranged for voice and piano with guitar chords.
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You Can't Mean Maybe With Those Eyes, written by Walter Doanldson, arranged for voice and piano with guitar chords.
You Can't Mean Maybe With Those Eyes, written by Walter Doanldson, arranged for voice and piano with guitar chords.
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Without That Gal, written by Walter Doanldson, arranged for voice and piano with guitar chords.
Without That Gal, written by Walter Doanldson, arranged for voice and piano with guitar chords.
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Faber Music is thrilled to publish this previously undiscovered work for piano by Olivier Messiaen, La Fauvette Passerinette. Believed to be the first publication of a piece by Messiaen produced by a...
Faber Music is thrilled to publish this previously undiscovered work for piano by Olivier Messiaen, La Fauvette Passerinette. Believed to be the first publication of a piece by Messiaen produced by a...
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ff is a dazzling 3-minute work of a piano solo from one of British music’s most innovative voices, where brilliant shards of sound spectra collide with highly accented and rhythmic material in the bas...
ff is a dazzling 3-minute work of a piano solo from one of British music’s most innovative voices, where brilliant shards of sound spectra collide with highly accented and rhythmic material in the bas...
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First performed by Imogen Cooper at the Cheltenham Festival, Thomas Adès’s Traced Overhead (1995-6) unfolds in three movements of progressively increasing length. The first, ‘Sursum’ (the Latin adverb...
First performed by Imogen Cooper at the Cheltenham Festival, Thomas Adès’s Traced Overhead (1995-6) unfolds in three movements of progressively increasing length. The first, ‘Sursum’ (the Latin adverb...
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Humphrey Searle composed this restrained and delicate Prelude for Piano on a theme of Alan Rawsthorne in 1965. A student of Anton Webern who, together with Elizabeth Lutyens was one of the pioneers of...
Humphrey Searle composed this restrained and delicate Prelude for Piano on a theme of Alan Rawsthorne in 1965. A student of Anton Webern who, together with Elizabeth Lutyens was one of the pioneers of...
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John Woolrich’s Locus Solus is a 12-minute scherzando, mostly fast music placed around a still centre. Its title comes from Raymond Roussel’s 1914 novel of the same name, in which an inventor has invi...
John Woolrich’s Locus Solus is a 12-minute scherzando, mostly fast music placed around a still centre. Its title comes from Raymond Roussel’s 1914 novel of the same name, in which an inventor has invi...
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